Kiko Mendive

El Amor de M Bohio, which translates to "The Love of My Hut" (or shack ) and it comes from the lyrics o a popular love ballad of the same name. It is Director Juan Orol's tale of a violent love triangle where two farm hands out to prove who is the most macho, and thereby win the affections of a woman. This tragic love story takes place on a tropical plantation located just outside of Havana, where its workers are housed in small, thatched-roof "bohios". The two rival suitors are driven by passion for the girl they both love, and soon engage in a series of challenges designed to help this young woman choose the right guy in the end. These competitions start out to include simple and benign activities at first, like dancing, singing and dueling guitars, or betting on the winning bird at a cock-fight, However, they soon escalate to more violent activities, like public brawls, and saber dueling, which set life changing events into motion for everyone.

Anita Camacho, an ambitious maid poses as the owner of the house where she works in order to seduce a man of money, marry him and finally stop being poor.

Sur ordre du gouverneur Vidal, un dirigeant syndical est assassiné au centre de tri postal de Mexico. Son camarade, Octavio, parvient à s’échapper, mais il est poursuivi par des agents secrets lancés à ses trousses. Il se réfugie dans un cinéma où il rencontre par hasard Julieta, son amour de jeunesse. Cette dernière mène désormais une existence misérable, aux côtés d’un écrivain raté qui était autrefois l’ami d’Octavio. Le couple décide d’aider le fugitif à empêcher que des documents compromettants tombent entre les mains des hommes du gouverneur...

Blind nightclub pianist takes in a young singer/entertainer when she hits bottom... but once she gets stable and starts thinking about maybe a boyfriend, his unspoken intentions start to surface.

Le jeune Martin abandonne sa Terre de feu natale, à l'extrême sud de l'Argentine, pour un long voyage initiatique en Amérique Latine.

In a small tropical town, two sisters fight over the love of a young man named José. Fabiola is a noble woman but Sandra will do anything to get him, including witchcraft.

A 1952 film by Alberto Gout.

Humberto and Atilio, two elderly men confined in a nursing home, decide to flee when they see the arrival of some ballot boxes through the window, which makes them assume that their lives are in danger. The escape causes the mobilization of an entire military strategic team while the two elderly men and Daniel, an employee of the nursing home, wander around the roads of the area. In the end, they are unexpectedly armed and confront the “enemy”.

A horse jockey believes his dead uncle's spirit has entered a mare named Cleopatra, which belongs to a moneygrubbing rancher.

One of the delivery men and three workers from a water bottling plant discover that the owners, due to the depletion of the spring, are using common water. The four friends think about denouncing the scam, but realizing that they would leave all the workers in the street, they decide to form a competing company based on the same ruse.

The intent of novice director Solveig Hoogesteijn to make a drama about two Venezuelans from opposite sides of the economic and social tracks wobbles and weakens in the telling. Although the two compatriots both live in the capital, Caracas, and both love music, they have a need to go out into the rest of the country and discover their roots. As big-city dwellers, they are limited in their perspectives, though this excursion into other areas of Venezuela may prove more illuminating to them than to a foreign audience.