Nils Kenaston

Mark, Jasper and Lily are high school friends now in their early twenties. Mark is gay, living with Lily (his high school girlfriend), while Jasper is straight and soon to be married. A cynical and bitter trio barely connected by their past friendship, they reunite for the annual public Halloween celebration in San Francisco's Castro district.

In Brooklyn of the '50s, small-time mobster George and his sidekick Dip realize they've forgotten the birthday of mob boss Joey, so they engage the services of prostitute Glorice. Joey's reaction to Glorice gives George a promotion, and he's installed as Joey's assistant. George makes the discovery that gender-bent Glorice is not exactly a woman after all. The problem gets worse: Joey intends to marry Glorice, who plans to blackmail Joey after the wedding.

Young newlyweds Irene and Daniel make the mistake of picking up a hitchhiker – and soon find themselves taken hostage by three dangerous criminals.

A lonely, sticky fingered waitress is looking to leave town while her complacent insurance salesman husband gets taken for a ride by a Southern viper. Romance, murder, golf and freight trains are the themes of a strange trip through the South.

Mark, Jasper and Lily are high school friends now in their early twenties. Mark is gay, living with Lily (his high school girlfriend), while Jasper is straight and soon to be married. A cynical and bitter trio barely connected by their past friendship, they reunite for the annual public Halloween celebration in San Francisco's Castro district.

A man remembers his past during a journey that takes him back to his country of origin.

Everything Adam knows about love, he learned from the movies. Unfortunately, Adam is no Cary Grant, and the closest he's come to experiencing true romance is one drunken night with his unrequited love, Kate. But that evening failed to live up to Adam's expectations, so he casts himself and Kate in a movie recreation of their one night, hoping for a better ending. It's a total flop, and Adam is forced to cast a new Kate when she no longer wants any part of her part. But re-casting Kate leads to an ending that even Adam never saw coming, in this playful comedy about love, movies, and how our love of movies affects how we love.

An easygoing, darkly funny film about three friends frunning afoul of the mob, a young woman's escape from her overbearing father, the triumph of young love, and how the consequences of an unfortunate accident can be redeemed by an act of grace.

Berenice is a meditation on a dream of lost plenitude, and its inversion into decay. The events depicted in the film concern the formation and dissolution of a utopian community in 1832, and the psychic and physical disintegration of two members of that community. In an allusion to the interiority of the main character, Berenice, whose flashbacks form the film’s narrating consciousness, the oblique and inward-turning fictive structure gives itself over to delirious visual asides. The film is partially adapted from the Edgar Allan Poe story of the same name. Additional primary sources used in constructing the film include texts by the 19th-century French utopian Charles Fourier and the collected letters from Brook Farm.

Everything Adam knows about love, he learned from the movies. Unfortunately, Adam is no Cary Grant, and the closest he's come to experiencing true romance is one drunken night with his unrequited love, Kate. But that evening failed to live up to Adam's expectations, so he casts himself and Kate in a movie recreation of their one night, hoping for a better ending. It's a total flop, and Adam is forced to cast a new Kate when she no longer wants any part of her part. But re-casting Kate leads to an ending that even Adam never saw coming, in this playful comedy about love, movies, and how our love of movies affects how we love.