Daphné Hérétakis

Recently added

Νήμα
3.2

Νήμα

Dec 07, 2017
Niki is a resistance fighter living in a nightmarish dictatorship in Athens, 1972, and Lefteris is her son, who will be forced sooner or later to cut the thread that binds them together.
Drama
Ici rien
1

Ici rien

Oct 15, 2011
This film begun in september 2008, in Exarchia, "the Mecca" of athenian contestation. As the months passed and the political situation of Greece evolved, the film became the canvas on which testimonies finally laid, thus composing the fragmented landscape of a country in crisis.
26
1

26

Feb 17, 2013

26

As the song says: "I'm 26 years old but only 4 useful. I don't understand anything". 8 people read aloud private texts (sms, letters, emails) written or received by Daphné Hérétakis in the months leading up to her 26th birthday. The film proposes to take these texts out of the realm of intimacy and put them back into the public space and the collective nature of the film. The result is a romantic and absurd cadavre exquis, which addresses slightly depressed sensibilities.
Documentary
Archipels, granites dénudés
5
Athens 2014. Between bereaved desires and lost hopes, a film diary bangs against the walls of the city. The daily life of a country in crisis, the inertia of revolution, the individual issues that confront the political, questions of survival that confront ideals. Can we still ask the simplest questions?
Documentary
Au Revoir
1

Au Revoir

Apr 27, 2016
Daphne Hérétakis proposes a protean reflection on cinétract, both activist, humorous and poetic. With her camera, she goes to meet the Athenians and collects their disillusions and their hopes. In view of the images, readers, scattered throughout the room, read excerpts from Greek poems.
Documentary
Archipels, granites dénudés
5
Athens 2014. Between bereaved desires and lost hopes, a film diary bangs against the walls of the city. The daily life of a country in crisis, the inertia of revolution, the individual issues that confront the political, questions of survival that confront ideals. Can we still ask the simplest questions?
Documentary
Les algues dans tes cheveux
4.5
Athens 2014. Between bereaved desires and lost hopes, a film diary bangs against the walls of the city. The daily life of a country in crisis, the inertia of revolution, the individual issues that confront the political, questions of survival that confront ideals. Can we still ask the simplest questions?
Documentary
Les algues dans tes cheveux
4.5
Athens 2014. Between bereaved desires and lost hopes, a film diary bangs against the walls of the city. The daily life of a country in crisis, the inertia of revolution, the individual issues that confront the political, questions of survival that confront ideals. Can we still ask the simplest questions?
Documentary
Αυτο που ζηταμε απο ενα αγαλμα ειναι να μην κινειται
7
Athens. Nothing seems to move. The locals seem as still as statues. While at the same time, somewhere, a caryatid is escaping from a museum and a small group of people demands the destruction of all antiques. Would film be the only way to avoid stone-cold indifference?
Documentary
Αυτο που ζηταμε απο ενα αγαλμα ειναι να μην κινειται
7
Athens. Nothing seems to move. The locals seem as still as statues. While at the same time, somewhere, a caryatid is escaping from a museum and a small group of people demands the destruction of all antiques. Would film be the only way to avoid stone-cold indifference?
Documentary
Αυτο που ζηταμε απο ενα αγαλμα ειναι να μην κινειται
7
Athens. Nothing seems to move. The locals seem as still as statues. While at the same time, somewhere, a caryatid is escaping from a museum and a small group of people demands the destruction of all antiques. Would film be the only way to avoid stone-cold indifference?
Documentary
Αυτο που ζηταμε απο ενα αγαλμα ειναι να μην κινειται
7
Athens. Nothing seems to move. The locals seem as still as statues. While at the same time, somewhere, a caryatid is escaping from a museum and a small group of people demands the destruction of all antiques. Would film be the only way to avoid stone-cold indifference?
Documentary
Les algues dans tes cheveux
4.5
Athens. Nothing seems to move. The locals seem as still as statues. While at the same time, somewhere, a caryatid is escaping from a museum and a small group of people demands the destruction of all antiques. Would film be the only way to avoid stone-cold indifference?
Documentary