Miguel Antonio Zanguña

VIOLENCE est un film sur l’expérience vécue de la violence par les êtres humains. Le film explore cette situation à partir de l’observation minutieuse des détails de la vie quotidienne de trois personnes, à partir de l’atmosphère raréfiée de normalité dans le conflit armé colombien. VIOLENCE est un triptyque, trois histoires, trois sentiments différents, trois points de vue et un seul conflit. C’est un triptyque sur les personnes qui vivent la guerre, un triptyque qui se déroule dans le vécu de la violence à partir de l’individu, en passant par l’expérience familiale jusqu’à en arriver à la pratique sociale. VIOLENCE, en tant que film, est le simple reflet d’un jeu atroce où nous sommes tous, sans exception, des pions sans identité, nous qui exerçons des rôles, dans une ambiance de laquelle il parait impossible d’échapper.

Although she's not completely convinced, Sandra plans to leave. Héctor, who wants to get close to her again, walks with her for a lonely road carring her bags until the bus stop to wait for a ride.

Although she's not completely convinced, Sandra plans to leave. Héctor, who wants to get close to her again, walks with her for a lonely road carring her bags until the bus stop to wait for a ride.

Although she's not completely convinced, Sandra plans to leave. Héctor, who wants to get close to her again, walks with her for a lonely road carring her bags until the bus stop to wait for a ride.

Although she's not completely convinced, Sandra plans to leave. Héctor, who wants to get close to her again, walks with her for a lonely road carring her bags until the bus stop to wait for a ride.

The candidates Sandro Archila and Camilo Hernández, face each other to define who will be the next delegate in charge of the election, classification and programming of dance numbers of the local faire. After the public vote and after the private counting of the votes in the local primary school, the delegate of the vote together with the two candidates accompanied by their campaign teams, confirm that the result of the vote is a draw. With no time for another voting process they will have to find another way to elect the delegate.

Luis Alberto Gaitán "Lunga" was a photographer from Guateque, Boyacá. He is the author of the most iconic pictures of the Colombian political leader Jorge Eliécer Gaitán, assassinated in 1948, giving birth to one of the cruellest waves of violence in the country. Since ever, Lunga's photographs have been reproduced over and over again without the proper credits. This film is a trip to the 40's and 50's Colombia's decades and it wants to give to Lunga the recognition of his work and his name in the history of Colombia as a photographer.

Luis Alberto Gaitán "Lunga" was a photographer from Guateque, Boyacá. He is the author of the most iconic pictures of the Colombian political leader Jorge Eliécer Gaitán, assassinated in 1948, giving birth to one of the cruellest waves of violence in the country. Since ever, Lunga's photographs have been reproduced over and over again without the proper credits. This film is a trip to the 40's and 50's Colombia's decades and it wants to give to Lunga the recognition of his work and his name in the history of Colombia as a photographer.