Melodrama set in Victorian Brighton. Scheming pub landlady uses the timorous son of a domineering pharmacist to assist in the poisoning of her drunkard husband. (The title is from the way pharmacists used to wrap parcels containing poison).
A loosely structured comedy allowing for a series of vignettes based around an ancient coaching inn. The story was adapted from the 1929 novel by Scottish writer Erik Linklater.
Episodic tale of four factory girls and their various romances at the local dance hall in Chiswick, London. Unusual at the time, the film tells its story from a feminine perspective. Today, it is mainly recognised for its post-war London atmosphere, with bomb sites, trolleybuses and rationing.
On receiving an inheritance from her grandfather, Canadian Jeannie MacLean decides to visit the family's Scottish roots. On the plane she meets businessman Stanley Smith, and romance blossoms in Edinburgh. The complications begin when Stanley breaks a date with Jeannie to woo voluptuous redhead Helene, and Jeannie is flattered by the attentions of the impoverished Lord McNairn; he's heard about her good fortune, and gallantly offers to show her the city.
Before the war, a Fleet Air Arm pilot is dismissed for causing the death of a colleague. Working for a small Greek airline when the Germans invade Greece, he gets a chance to redeem himself and rejoin his old unit on a British carrier. This is regarded the last of the conventional, rather stiff 1930's style Ealing war films, to be succeeded by much more realism and better storytelling.
Seven-year-olds Michael and Rachel are best friends who do everything together and who have vowed to remain friends "forever and ever and can't be parted for never and never". Unfortunately, the society that Michael and Rachel live in is one of religious intolerance. The fact that Michael is Irish Catholic and Rachel is Jewish is a point of conflict for just about everyone in the community.