Richard Brody

Joy Handlin et Julie Parish, deux flics de Los Angeles, adeptes des arts martiaux, doivent protéger Marsala, témoin important d'un procès mettant en cause Gatelee, un trafiquant international. Il parvient à enlever Julie, bien décidé à l'utiliser comme monnaie d'échange contre Marsala. Il ignore que la jeune femme est un redoutable adversaire...

L'image d'un cinéaste maudit, mystérieux, solitaire, fuyant aussi bien les médias que le public, colle au personnage de Léos Carax.... En France, aux Etats-Unis ou en Asie, on parle plutôt de ses films et il y est considéré comme l'une des icônes du cinéma mondial. "Mr. X" plonge dans l'univers poétique et visionnaire d'un artiste devenu culte dès son premier film. Documentaire ponctué d'interviews et d'images exclusives, le film se veut avant tout une exploration sensible de l'univers poétique et visionnaire de Léos Carax, alias "Mr. X".

Centré sur un entretien où Claude Lanzmann revient sur sa vie et sur la réalisation de Shoah - les choix initiaux, les embûches, les dangers, la recherche de moyens pour mener à bien cette entreprise, l’épuisement…, Adam Benzine donne aussi à voir des fragments des rushes de Shoah.

Paul (Jim Helsinger) is a morose young advertising executive and aspiring film maker whose obsession with the Holocaust has gone way out of control. Paul has been compiling interviews with World War II survivors for a documentary film, and the project has propelled him to a state of paranoia. Listening to Beethoven, Paul worries that the composer wrote "Nazi music" and imagines that the plush sound on a Furtwangler recording owes to the violins' strings having been made out of "Jewish intestines." When his Yugoslav-born fiancee Dunia (Mirjana Jokovic) returns from China, where she has been studying, the two enter into an agonizing debate about whether to marry. She bluntly questions Paul's religious convictions, since he doesn't observe Orthodox Jewish traditions.

Paul (Jim Helsinger) is a morose young advertising executive and aspiring film maker whose obsession with the Holocaust has gone way out of control. Paul has been compiling interviews with World War II survivors for a documentary film, and the project has propelled him to a state of paranoia. Listening to Beethoven, Paul worries that the composer wrote "Nazi music" and imagines that the plush sound on a Furtwangler recording owes to the violins' strings having been made out of "Jewish intestines." When his Yugoslav-born fiancee Dunia (Mirjana Jokovic) returns from China, where she has been studying, the two enter into an agonizing debate about whether to marry. She bluntly questions Paul's religious convictions, since he doesn't observe Orthodox Jewish traditions.

Paul (Jim Helsinger) is a morose young advertising executive and aspiring film maker whose obsession with the Holocaust has gone way out of control. Paul has been compiling interviews with World War II survivors for a documentary film, and the project has propelled him to a state of paranoia. Listening to Beethoven, Paul worries that the composer wrote "Nazi music" and imagines that the plush sound on a Furtwangler recording owes to the violins' strings having been made out of "Jewish intestines." When his Yugoslav-born fiancee Dunia (Mirjana Jokovic) returns from China, where she has been studying, the two enter into an agonizing debate about whether to marry. She bluntly questions Paul's religious convictions, since he doesn't observe Orthodox Jewish traditions.