Graham Vick

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The First Circle
1

The First Circle

Nov 26, 2023
When Death (and his head of research and development) stage an intervention for a fake news-peddling journalist, she ends a doomed relationship to save her soul. The fate of her soul, however, is the least of Death’s worries.
Lady Macbeth of Mtsensk - BOC
1
A bored, unhappily married woman dreams of love and of starting anew elsewhere. When she starts an affair with a rakish farmhand, her passion pushes her to crime... Birmingham Opera Company's 50th production relocates Lady Macbeth of Mtsensk to a disused, iconic nightclub where, amidst the 150 volunteer actors and chorus, audience members encountered bloody brides, oversized rats and poisoned wedding guests. Accompanied on stage by the City of Birmingham Symphony Orchestra and a band from the Royal Birmingham Conservatoire, and with a radical set design by the Banksy collaborators Block 9, ‘the production is perhaps its most brilliant so far’ (The Observer)
Aida
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Aida

Jun 01, 2010
A spectacular production of Aida filmed at Bregenz Festival's lakeside stage in 2009, with Carlo Rizzi conducting the Vienna Symphonic Orchestra and the Polish Radio Choir.
Music
War and Peace
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War and Peace

Jan 01, 1991
The love story of young Countess Natasha Rostova and Count Pierre Bezukhov, is intertwined with the "Great Patriotic War" of 1812 against the invading Napoleon's Armies. People of Russia from all classes of society stand up united against the enemy. Both sides suffer tremendous losses during the war, and Russian society is left irrevocably changed.
Music
Eugene Onegin
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Eugene Onegin

Jan 01, 1994
The cynical young Onegin rejects Tatyana, a dreamy, bookish country girl. But Onegin lives to regret it when, years later, he re-encounters Tatyana, now a beautiful, worldly woman who has married into wealthy society. Tchaikovsky clothed this tale in the Romantic theatrical, domestic, and ballroom music of the story’s milieu, in and around St. Petersburg circa 1820. Graham Vick’s staging.
Pique Dame
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Pique Dame

Jun 29, 1992
Filmed at the 1992 Glyndebourne Festival in Lewes, England, this production won unanimous critical acclaim for its innovative interpretation of Tchaikovsky's opera "Pique Dame" ("Queen of Spades"). Although sung in Russian, the production features English sopranos Felicity Palmer as the old countess and Nancy Gustafson as Lisa. Russian tenors Dimitri Kharitonov, Sergei Leiferkus and Yuri Marusin co-star.
Music
Lulu
7.2

Lulu

Jul 15, 1996
Alban Berg's black, satirical opera is one of the masterpieces of the 20th Century. It charts the rise and fall of a femme fatale "created to make trouble", from life as a society hostess to prostitution and eventual bloody death at the hands of Jack the Ripper. Berg's score is intensely beautiful, and the rich characterisation brilliantly executed.
Music
Ermione
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Ermione

Jun 03, 1995
Recorded at the Glyndebourne Festival Opera in 1995, this acclaimed presentation of composer Gioachino Rossini's epic opus ERMIONE is based on Jean Racine's play "Andromache." Set in Troy after the city fell to the Greeks, the production recounts the rancorous battle between widow Andromache and Helen of Troy's green-eyed daughter, Ermione for the love of Pyrrhus
Music
Macbeth
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Macbeth

Dec 07, 1997
Live from La Scala December 7th 1997
Music
Rigoletto
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Rigoletto

Dec 01, 2004
In Rigoletto, the deformed figure of the hunchbacked jester at the Mantuan court acts as a foil to his cynical and powerful master, an unscrupulous philanderer contrasted with his cruel and unforgiving fool. Rigoletto encourages and welcomes the Duke's conquests, pitilessly mocking his victims until he discovers that the Duke has abducted the one person he genuinely loves, his own daughter. As a result, the character of the court jester is transformed into a tragic figure who, in spite of his evident immorality and malice, allows us to sense the devotion he feels for his daughter and his horror at being destroyed by the same despotic world as that which he himself has helped to create.
Drama
Rossini: Guillaume Tell
7
The hero of this admirably complete August 2013 Guillaume Tell from Pesaro is homegrown maestro Michele Mariotti. The inimitable overture is (mercifully) unstaged and terrifically played, with splendid cello and flute solos: the fine standard never flags. Rossini’s extraordinary 1829 score audibly presages Meyerbeer, Berlioz, Glinka, Verdi and Wagner, among many others. Graham Vick’s direction privileges class conflict, with a clenched fist on the red-and-white forecurtain. The Edwardian costumes place Austrians in white evening garb; the black-clad Swiss polish the floor while the rulers savor a filming (much of that to follow) — the fisherman Ruodi, in a boat with a blonde and fake scenery, with Tell and his family providing tech support. Vick deploys geographical and historical kitsch liberally but not (always) pointlessly. Ron Howell’s pretentious, mannered choreography, however, beggars belief.
Music
Handel: Tamerlano
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Handel: Tamerlano

Mar 29, 2008
Drama - This majestic production of Handel's vivid tragedy, TAMERLANO, stars a Lear-like Placido Domingo as the Turkish Sultan Bajazet, caught between pride, love, and loyalty. Displaying the uniquely heroic quality of his voice, Domingo heads a superb cast, including Sara Mingardo, Monica Bacelli, and Ingela Bohlin, all magnificently responsive to Paul McCreesh's authentic and luminous musical interpretation of the score. The stunning theatrical staging by Graham Vick provides a splendid setting for the characters and for designer Richard Hudson's extravagant Baroque-Islamic costumes, emphasizing the brilliance of one of Handel's finest dramatic achievements. - Monica Bacelli, Plácido Domingo, Ingela Bohlin
Puccini: La Bohème
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Puccini: La Bohème

Dec 27, 2017
Graham Vick devises a version of La Bohème set in modern-day Athens, transporting Puccini’s beloved opera from 19th century Paris to 21st century Exarchia. The faces of the four ambitious young artists and their camaraderie are known to all. Their problems, concerns, jokes were run of the mill back then; they remain so even today. Rodolfo’s ill-fated love for Mimi assumes an unexpected tragic dimension given that their tale could be played out in the apartment right next door; right among us.
Music
Paria – Moniuszko
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Paria – Moniuszko

Jun 30, 2019
Having led a series of victorious campaigns against rival territories, a warrior wins the hand of a Brahmin priestess. But when his true caste is brought to light, he risks losing more than just his bride. Based on a play by Casimir Delavigne, Stanisław Moniuszko's final opera is rarely performed. Poznań Opera presents it in this new production directed by Graham Vick to celebrate the 200th anniversary of the composer's birth.
Music
Otello
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Otello

Dec 07, 2001
This was Domingo's last set of performances as Otello in La Scala. In spite of his relatively advanced age, he is still in excellent form, both vocally and in terms of stage presence. Nucci is also his usual self, delivering a performance of very high standard. Barbara Frittoli is an excellent Desdemona, in good voice and gives a very moving performance. Muti conducts with great emotion and tight accuracy, conveying the full orchestral drama of the score.
Music
Don Giovanni
1

Don Giovanni

Oct 25, 2019
This was Domingo's last set of performances as Otello in La Scala. In spite of his relatively advanced age, he is still in excellent form, both vocally and in terms of stage presence. Nucci is also his usual self, delivering a performance of very high standard. Barbara Frittoli is an excellent Desdemona, in good voice and gives a very moving performance. Muti conducts with great emotion and tight accuracy, conveying the full orchestral drama of the score.
Mose in Egitto
10

Mose in Egitto

Nov 07, 2012
This thought-provoking, modern-day interpretation of Rossini's 'Mosè in Egitto' sets the scene for superior music-making at the prestigious Rossini Festival in Pesaro. For conductor Roberto Abbado, the transposition of the action to the present day releases the energy of Rossini's music. At his disposal is a cast of top-quality vocalists such as the “refined bel canto artist(Bresciaoggi) Sonia Ganassi as Elcia, and the “outstanding” Dmitry Korchak as the Pharaoh's son, two lovers fatefully drawn into the political turmoil and catastrophes of their time. Also among the protagonists are the “thoroughly brilliant” (DeutschlandRadio Kultur) baritone Alex Esposito as Faraone and, in his Rossini Festival debut, young, full-bodied bass Riccardo Zanellato as Moses. Conductor Roberto Abbado “inspired his musicians to deliver a spectacular performance” (Salzburger Nachrichten).
Music
The Ice Break - Tippett
1
When a Russian dissident is released after 20 years of imprisonment, he finds his wife in despair, his son estranged and the world outside sinking into racial violence. As events get out of hand, the rivalry between blacks and whites turns into a murderous mob riot. Birmingham Opera’s artistic director Graham Vick takes up the challenging of mounting Tippett’s both visionary and eccentric opera, that has remained unstaged since its premiere in 1977. An unused warehouse is transformed into an airport terminal, through which the audience enters a participatory experience, ushered by the chorus.
The Magic Flute
1

The Magic Flute

Jan 08, 2021
A handsome prince falls in love with an abducted princess. Armed with musical instruments, he and his singing sidekick mount a rescue mission that tests their commitment to truth, love and humanity itself. Staging a mass revolt against the powers that be, British director Graham Vick has enlisted a good hundred locals and immigrants as demonstrators occupying makeshift camps on the flanks of Sferisterio's impressive open air stage. Sung in simple, modern Italian, Mozart's famous Singspiel takes on a liveliness and spunk that stresses the opera's folk roots and conveys the sense that the action is unfolding around us today.
Stiffelio
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Stiffelio

Jan 01, 2020
The ground-breaking and award-winning production of Giuseppe Verdi’s tense moral drama Stiffelio staged by famous opera director Graham Vick. Opera in three acts (1850) Libretto by Francesco Maria Piave after Le Pasteur, ou l’Évangile et le Foyer by Émile Souvestre and Eugène Bourgeois Graham Vick’s innovative staging of the ‘most unjustly neglected of Verdi’s operas', Stiffelio, was presented with a Special Award at the 37th 'Franco Abbiati' Music Critics' Prize (2018) for the director's unique theatricality and the unprecedented level of audience involvement. Performed at the Teatro Farnese on four mobile platforms, the audience was free to move around the auditorium and choose their own vantage points, mingling with actors, chorus members and cameramen. The Italian tenor, Luciano Ganci (Stiffelio), and the Mexican soprano, Maria Katzarava (Lina), deliver tense and dramatic performances in what was the highlight of the 2017 Festival Verdi in Parma.