June Millington

All too often, every great female rock musician has to answer a predictable question - what is it like being a girl in a band? For many, the sight of a girl shredding a guitar or laying into the drums is still a bit of a novelty. As soon as women started forming their own bands they were given labels - the rock chick, the girl band or one half of the rock 'n' roll couple. Kate Mossman aims to look beyond the cliches of fallen angels, grunge babes and rock chicks as she gets the untold stories from rock's frontline to discover if it has always been different for the girl in a band.

Leslie (lauréate du Tony Award ALICE RIPLEY), femme au foyer et professeur de piano de plus de 50 ans, décide de réaliser son rêve de toujours être une chanteuse de rock 'n roll au grand dam de son mari (lauréat du prix SAG ROBERT CLOHESSY), qui est candidat à un poste politique et sa fille (LEAH BARKER) qui est sur le point de s'embarquer pour l'université.

The untold story of a Filipina American founded, California garage band that morphed into the ferocious rock group Fanny, the first all female band to release an LP with a major label. Adored by David Bowie, the band's groundbreaking impact in music has been lost in the mists of time... until now. Fifty years later, bandmates reunite with a new record deal and a second chance to right the wrongs of history.

THE HERETICS uncovers the inside story of the Second Wave of the Women’s Movement for the first time in a feature film or video. Joan Braderman, director and narrator, follows her dream of becoming a filmmaker to New York City in 1971. By chance, she joins a feminist art collective at the epicenter of the 1970’s art world in lower Manhattan. In her first person account, THE HERETICS charts the history of a feminist collective from the inside out.