Koichiro Ikawa

The story of an angel who encounters a series of men in a public toilet. A fable about identity.

When her older sister disappears, she meets the man she left behind every night. When her parents don't come home from work, they sit in the kitchen and have an idle conversation. The man asks her to eat a clam. A woman mumbles, "I have sand all over me", and scours the kitchen floor like a mollusk. The man wipes the woman's neck when she asks him to wipe off the sand. The camera lingers on the faces of the two men and the rummaging in the sink as they mutter idle conversations about sand. This is a dense cinematic space, where the hot, rough texture of the sand makes your whole body tingle. The coquettishness of the woman's hair, her neck, her lips, her tongue, her gestures and her voice, captured by the gazing camera, is an intense eroticism. This is a work of high perfection in which the artist's unique world of sensuality is penetrated.

When her older sister disappears, she meets the man she left behind every night. When her parents don't come home from work, they sit in the kitchen and have an idle conversation. The man asks her to eat a clam. A woman mumbles, "I have sand all over me", and scours the kitchen floor like a mollusk. The man wipes the woman's neck when she asks him to wipe off the sand. The camera lingers on the faces of the two men and the rummaging in the sink as they mutter idle conversations about sand. This is a dense cinematic space, where the hot, rough texture of the sand makes your whole body tingle. The coquettishness of the woman's hair, her neck, her lips, her tongue, her gestures and her voice, captured by the gazing camera, is an intense eroticism. This is a work of high perfection in which the artist's unique world of sensuality is penetrated.

When her older sister disappears, she meets the man she left behind every night. When her parents don't come home from work, they sit in the kitchen and have an idle conversation. The man asks her to eat a clam. A woman mumbles, "I have sand all over me", and scours the kitchen floor like a mollusk. The man wipes the woman's neck when she asks him to wipe off the sand. The camera lingers on the faces of the two men and the rummaging in the sink as they mutter idle conversations about sand. This is a dense cinematic space, where the hot, rough texture of the sand makes your whole body tingle. The coquettishness of the woman's hair, her neck, her lips, her tongue, her gestures and her voice, captured by the gazing camera, is an intense eroticism. This is a work of high perfection in which the artist's unique world of sensuality is penetrated.

Takashi and his wife Misako, who lost their beloved son in a trapeze accident, have never recovered from the shock, and have kept the urn in their bedroom because they do not want to leave their son's ashes. One day, the couple hears that they can see their son if they go to the old Isejin Tunnel.

Pinku. Trailer here: https://www.youtube.com/watch?v=jkR8isRodzw

When her older sister disappears, she meets the man she left behind every night. When her parents don't come home from work, they sit in the kitchen and have an idle conversation. The man asks her to eat a clam. A woman mumbles, "I have sand all over me", and scours the kitchen floor like a mollusk. The man wipes the woman's neck when she asks him to wipe off the sand. The camera lingers on the faces of the two men and the rummaging in the sink as they mutter idle conversations about sand. This is a dense cinematic space, where the hot, rough texture of the sand makes your whole body tingle. The coquettishness of the woman's hair, her neck, her lips, her tongue, her gestures and her voice, captured by the gazing camera, is an intense eroticism. This is a work of high perfection in which the artist's unique world of sensuality is penetrated.

From the sensual novel series of "France Shoin Bunko", the same masterpiece based on Kaoru Kosuga is visualized. Mariko had a physical relationship with her student, Ikuo, who died in an accident and was wearing black lingerie in her mourning, but she met Ikuo with two students...

A modern Japanese family loses their youngest son in a tragedy. The mother, Misako, plunges into depression and the oldest son Akira starts blaming himself for the death of his brother.