Hermann Braun

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D III 88
5.3

D III 88

Oct 25, 1939
Across German screens at the outbreak of WWII streaks "DIII88: The New German Air Force Attacks", an aeronautic and maritime spectacle glorifying Hermann Goring's Luftwaffe and the spirit of the newly arisen Germany. Once war became imminent, Joseph Goebbels instructed the German film industry to initiate production of numerous militaristic projects, but DIII88 was initiated by the Propaganda Minister's rival, Goring, who commissioned several aviation pictures. DIII88 is not a war picture per se, because it takes place in peacetime, but the young, fresh-faced air aces enthusiastically look forward to the coming war. The propaganda is blatant: The only thing that matters is dedication to duty and unconditional commitment to the Fatherland.
Drama
Die fromme Lüge
5

Die fromme Lüge

Mar 25, 1938
The stand-alone opera singer Carmen Casini dare not admit to her adult son, the spoiled race car driver Cecil, that she ruined her voice on a stormy day at the racetrack and that her career is thus at an end. Meanwhile, Cecil has fallen in love with the pretty Colette … without suspecting that her father, the wealthy Bartell, was a former lover of his mother and that he’s Cecil’s daddy. Thus, both Carmen and Bartell try to prevent the unfolding love-relationship between brother and sister, because this ain’t the Ozarks, you know! Only after the unhappy Cecil tries to commit suicide after an argument with his mother do Carmen and Bartell realize they still love one another. Suicide attempt be damned; let’s go out on a date! A movie that screams “Fun for the whole family.”
Drama
Traumulus
6

Traumulus

Jan 23, 1936
This film is a fascinating showcase for Emil Janning's theatrical play. He's a gentle school teacher who believes in his boys and is easily fooled about all things, while the other town officials want him dismissed. Curiously it's very hard to see what the film is exactly aiming for. Disaster strikes and the lax prof proves to be too far removed of the real problems of the world, on the other hand his enemies are shown in the most unsympathetic, satirical way denouncing the militaristic, bourgeois ideology of the Kaiserreich.
Drama