Carla McGlynn

Angleterre, fin du XVIIIe siècle : Lady Susan Vernon est une jeune veuve dont la beauté et le pouvoir de séduction font frémir la haute société. Sa réputation et sa situation financière se dégradant, elle se met en quête de riches époux, pour elle et sa fille adolescente. Épaulée dans ses intrigues par sa meilleure amie Alicia, une Américaine en exil, Lady Susan Vernon devra déployer des trésors d'ingéniosité et de duplicité pour parvenir à ses fins, en ménageant deux prétendants : le charmant Reginald et Sir James Martin, un aristocrate fortuné mais prodigieusement stupide…

King of the Travellers is a contemporary drama grounded in the traditions of the Irish traveller community and driven by emotive Shakespearean themes of love, betrayal, friendship and revenge. The story follows John Paul Moorehouse on his destructive quest to uncover the truth about the killer of his father twelve years ago. John Paul's desire for revenge is swayed as he falls for Winnie Power, the daughter of the man he suspects killed his father. John Paul must now battle between his consuming passion for justice versus his desire to be with the woman he now loves.

Clyde and Jed are two typical best buddies. They hang out, talk movies, pig out on junk food and then entertain their other common hobby: terrorizing and killing young girls on camera. Their latest victim, Sarah, is totally unaware of what exactly is going on when the two men take her from the trunk of their car and drag her to their bachelor pad. The murderers plan out every detail of the film in front of Sarah, terrifying her and leaving her with only one goal: escape. In her darkest hour, with no chance of survival at hand, a glimmer of hope arrives in the form of a spirit who has something much more wicked planned for these twisted friends.

When Anton O'Neill returns home after five years at sea, he finds that 1970's Ireland is a radically different place to the one he left behind. Northern Ireland is in flames, and civil unrest has spilled south of the border to his beloved home in County Cavan. Blinded by hatred and misguided patriotism 'Anton' is led into an illicit world of violence and is forced to choose between his family and his country. Hunted and on the run, Anton is drawn into a battle of wills with the law and his former accomplices, ending in a showdown in which he must risk everything to protect the woman he loves.

In a rare and potentially fatal feat of cinematic daring, "Dublin 26.06.08" was shot entirely between 12.01am and 11.59pm on Thursday June 26th 2008. This audacious cinematic collage offers both a unique snapshot of a single day in the life of Dublin and a vivid example of a bold guerrilla filmmaking model. The film is an eclectic, multi-authored impression of Dublin (within the bounds of the encircling M50 motorway) as it lived, died, breathed, made love, filled up and emptied, consumed, wept, was rained and shone upon, grew bright and then darkened again.