Park Nam-ok

Byung-tae joins the army after being dumped by Young-ja. With two months until discharge, Young-ja comes to visit him. She sends him a letter saying she'll never forget him and that she was marrying Ju-hyuk, a doctor.

Keeping the Vision Alive is a documentary film containing the voices and images of Korean women filmmakers-both senior filmmakers and also the peers of director Yim. The film is Yim’s homage to both contemporary Korean women filmmakers, written by a filmmaker of the same age, and also to the history of women filmmakers in Korea. Yim does not reveal her own voice or opinion and lets the voices and images of the filmmakers speak for themselves through a non-interventionist camera. From the pioneers, Park Nam-ok, and Hwang Hye-mi, who directed First Experience in 70’s, to recent filmmakers, Byun Young-joo and Jang Hee-sun, the film traces their experiences, troubles, concerns and thoughts as women and women filmmakers. Keeping the Vision Alive calmly and enthusiastically encourages and celebrates the struggles, the resistance and the survival of women filmmakers in a conservative Korean film industry and a male-dominated and sexist social system. (Kwon Eun-sun)

The only film from female director Park Nam Ok, the melodrama The Widow offers a different perspective of the female experience in postwar Korea, and a woman's struggle between duty and desire. Raising a daughter alone after the war, widow Shin (Lee Min Ja) is much indebted to her late husband's friend Seong Jin (Shin Dong Hun) but resists his romantic advances. Instead, she falls for Taek (Lee Taek Kyun), who is carrying on an affair with Seong Jin's jealous wife (Park Yeong Suk). Shin is willing to give up everything for Taek, but his heart changes again when his girlfriend returns.