Hugo Verlinde

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Ephèse
1

Ephèse

May 12, 2004

Ephèse
2004 8 min 1 vues
Layers of colored matters spread in space. They transform and its movements let us suppose that there is an underlying law that directs the images. Ephese is thus a shape, continually mutating, although its essence remains the same.
Boucle 1
1

Boucle 1

Jan 01, 1970

Boucle 1
1970 137 min 1 vues
Layers of colored matters spread in space. They transform and its movements let us suppose that there is an underlying law that directs the images. Ephese is thus a shape, continually mutating, although its essence remains the same.
Ondée
1

Ondée

Apr 06, 2012

Ondée
2012 7 min 1 vues
Linked to the sun's eruptive activity, waves of particles regularly enter Earth's atmosphere. An intense and invisible shower then crosses the earth and our bodies.
Géminga
1

Géminga

Dec 11, 2003

Géminga
2003 9 min 1 vues
Light & hands, movement in the dark.
Aldébaran
1

Aldébaran

Jan 06, 2000

Aldébaran
2000 10 min 1 vues
Aldébaran is the first film from a series of works on hybridization: body and light, color and rhythm. The series are transforming and spiritualizing human body by the use of light, or more precisely by the screening of a film directly to the skin. The body is therefore the only screen for the abstract images made from mathematical models. This encounter between body and light produces a particular and creative energy beyond shapes. Lyrical abstraction, mathematical modelisation and sensual exploration of light, this film is the depth perception of the body stridences.
Bételgeuse
1

Bételgeuse

Feb 02, 2004

Bételgeuse
2004 5 min 1 vues
"The disciplines interweaved by Hugo Verlinde resound like echoes of a primal scream. Starting from a meditation on space, using all the technical devices of our times, and inspired by a timeless ideal, he paces up and down the immaterial dimension of desire: all that makes the world go 'round'. If his works captivate us, its because he renders the universe not distant and monotonous, but gushing; infinitely intimate." Gabriela Trujillo
Derviches
1

Derviches

Aug 06, 1992

Derviches
1992 15 min 1 vues
August 1992. I was working for a whole week in total darkness, in the image-by-image mode of my Super 8 camera. As I perceived an image on the screen, I started imagining what it would be if those images could show their own metamorphosis… But within a single frame, I had the sharp impression of a real contact behind the image itself. As if I could reach the formal and mathematical language of models… The images seemed to be whispering. More movement… more space…I keep developing this laboratory of shapes known as the Dervishes.
Nos stars
6

Nos stars

Dec 15, 2002

Nos stars
2002 22 min 2 vues
A chronicle of the fantasies and dream of women in avant-garde contemporary cinema. The faces and bodies of new women haunt the paths and alleyways of avant-garde cinema.
Altair B
1

Altair B

Jan 01, 2009

Altair B
2009 10 min 1 vues
A film carried by the musical world of Jacotte Chollet.
Manifeste
1

Manifeste

Mar 20, 2002

Manifeste
2002 11 min 1 vues
"Radical pamphleteer film," Manifesto "can be used as a visual emblem for any avant-garde manifestation. Manifesto is a cry. A cry for finally a cinema freed from all economic, ideological or artistic constraints." (Nicole Brenez, Encyclopédie du court-métrage français, 2004)
Altaïr
1

Altaïr

Jan 01, 2004

Altaïr
2004 9 min 1 vues
A meeting with an entity of gigantic proportions and multiple faces, ALTAÏR is of heavenly nature and invites us to dive into it. Work-landscape, cosmos to explore, you must have the soul of a geographer to venture into the folds of this universe with uncertain borders.
White Electron
1

White Electron

Jun 05, 2018

White Electron
2018 5 min 1 vues
A meditation on the atom. A film carried by the musical universe of Karl Boscovich.