Weng Mu-Lan

This is a Historical Drama that was written and directed by Doe Ching. It was produced by the Shaw Brothers Studio.

Temptation (誘惑) is a 1954 Hong Kong drama film directed by Doe Ching. The film was produced by Runde Shaw for Shaw & Sons Co. Ltd. and is based on the screenplay by Doe Ching and the original story by Hsu Hsu.

A Shaw and Sons production.

The Kong family has four daughters. Hilda, the eldest sister, assumes the role of a mother and often lets romance slip by. Third sister Hedy introduces her to Sun Ruhao, an engineer, but Sun is snatched by second sister Helen. The youngest girl Hazel drops out of school in pursuit of love. Hedy shows no interest in romance but is chased by a rich heir, He Yan. Meanwhile, Hilda runs away to meet her true love in a foreign land. As for Hedy, she is at last won over by He.

A romantic comedy by the Shaw Brothers studio. This is a sequel to Husband's Lover (1959).

A romantic comedy by the Shaw Brothers studio starring Peter Chen Ho, in his first starring role in a SB film, and Pat Ting Hung, in her film debut.

A middle-aged couple adopt a young girl.

A Hong Kong historical drama

This is a story of how Ru Ji, a farm girl of Chao Kuo, who sacrificed her own life to save her country and people in the year 257 B.C.

En Chine au IXe siècle. Alors que les émissaires du nouvel empereur, fils du héros de cette histoire, viennent signifier à l'ex-empereur, son père, d'avoir à quitter le palais, ce dernier évoque le souvenir de Kwei-Fei, sa seconde épouse qu'il aima beaucoup.

FAIRY, GHOST, VIXEN (1965) consists of three fanciful tales that may be loosely classified as ghost stories, but they're presented and designed more along the lines of traditional fairy tales. They're beautifully staged and photographed and have a timeless quality about them with a moral at the end of each.

This is an adaptation of the folk story, “Jin Yu Nu beats her heartless groom with a cane”. Jin Yu Nu, a beggar’s daughter, is a beautiful and kind girl. On a snowy day she saves the life of a poor scholar, Mo Ji. When Mo recovers, he marries Jin with love and gratitude. Mo wins the third place in the imperial examinations, but now he is looked down upon because his wife is a beggar's daughter. Extremely embarrassed and ashamed, Mo wants to divorce but has no excuse. Jin then jumps into the river and Mo has deep regrets but it is too late. Later, Mo’s senior Ambassador Lin appreciates his talents and wants to marry him his daughter. On the wedding night, the bride orders Mo to kneel in her room and beats him hard with a cane. Not until then does Mo know his bride is actually Jin, who has been saved by Lin. At the end, Lin knows Jin still loves Mo and helps the couple reunite.

Hong Kong drama directed by Wong Tin-Lam.

FAIRY, GHOST, VIXEN (1965) consists of three fanciful tales that may be loosely classified as ghost stories, but they're presented and designed more along the lines of traditional fairy tales. They're beautifully staged and photographed and have a timeless quality about them with a moral at the end of each.