Käthe Kratz

Johanna Dohnal, whose political career spans three decades, was one of the very first explicitly feminist politicians in Europe. As a member of the Austrian socialist government and the first Austrian minister for Women’s Affairs from 1990 to 1994, Dohnal was responsible for founding Austria’s first women’s refuge as well as criminalizing of marital rape. Yet her legacy remains yet to be discovered and re-examined. DIE DOHNAL makes a first step, and it makes Dohnal come alive.

Documentary about Jewish life in Austria before the nazi era.

Documentary about Jewish life in Austria before the nazi era.

Well, who says that they were chaste and modest, the ladies and damsels of yesteryear? And even the knights themselves. They knew exactly why they had the chastity belt fastened to their ladies' pretty bodies when they themselves went on crusade or had other important official business to attend to. Better safe than sorry - that's what the robber baron Archibald meant in our case, or in this cheerful film case, when he was summoned to help by his bosom friend Sigurd and went to war with his proud host.

The story tells of a love which after ten years is beginning to grow old, and of the attempt to turn the imminent end into a new beginning. After ten years of eventful relationship, man and woman have finally decided to say yes to each other in an abandoned railway station on the edge of town. It is the first evening in their new home. Everything is temporary, nothing is finished. The furniture has not yet been delivered, the heating is not functioning yet, the telephone is not connected, neither is the television. They are inescapably confronted with their own selves and with each other. And although, at least at the beginning, they fervently strive for love and harmony, the past catches up with them. When he, as always, seeks to withdraw by taking flight, he discovers that his key does not fit. He is at her mercy. Ruthlessly, they call each other to account.

Vienna in the early eighties: After a suicide attempt, Tina, who comes from a middle-class family, is hospitalized in a psychiatric ward. There she gets to know Gerhard, an apprentice plumber, who also wanted to do away with himself. He comes from a working class family. They fall for each other. A modern love story which is set inside the real life circumstances of the closing of the alternative Youth Center "Gassergasse" in Vienna.

The story tells of a love which after ten years is beginning to grow old, and of the attempt to turn the imminent end into a new beginning. After ten years of eventful relationship, man and woman have finally decided to say yes to each other in an abandoned railway station on the edge of town. It is the first evening in their new home. Everything is temporary, nothing is finished. The furniture has not yet been delivered, the heating is not functioning yet, the telephone is not connected, neither is the television. They are inescapably confronted with their own selves and with each other. And although, at least at the beginning, they fervently strive for love and harmony, the past catches up with them. When he, as always, seeks to withdraw by taking flight, he discovers that his key does not fit. He is at her mercy. Ruthlessly, they call each other to account.

Stories about four generations of women – their life at home and at work, their private and political relationships with the years.

Stories about four generations of women – their life at home and at work, their private and political relationships with the years.

A six-part film series addressing the problems of rural Austria from 1900 to 1945. Contrary to the traditional "Heimatfilm", the Alpensaga detaches itself from typical clichés and tries to depict a critical view of societal structures of the time. World history is shown from the view of a peasant family living in a small village in Upper Austria.

A six-part film series addressing the problems of rural Austria from 1900 to 1945. Contrary to the traditional "Heimatfilm", the Alpensaga detaches itself from typical clichés and tries to depict a critical view of societal structures of the time. World history is shown from the view of a peasant family living in a small village in Upper Austria.

Stories about four generations of women – their life at home and at work, their private and political relationships with the years.