Jorge García Marino

Telma (Norma Pons) is concerned when her father Salerno dies of a heart attack in a movie theater while watching a film of two thugs beating another man. She believes that there is something more to it, and seeks the help of Deganis (Patricio Contreras), a forensic psychiatrist. Deganis, having found out the names of the two actors doing the beating onscreen, looks one of them up. His name is Walensky (Lito Cruz), and he is looking for Smith (Martin Adjemian), the other actor.

A judge falls from the roof of the Federal Courthouse. A woman is murdered. Between them and the three sons of the judge there is a connection that will be investigated by a woman judge who is determined to discover the truth.

Unis par le destin, et un vol dans un établissement bancaire, José (Héctor Alterio), un vieil anarchiste, et un jeune employé (Leonardo Sbaraglia) vivent pendant quatre journées alternativement violentes et solidaires dans leur fuite désespérée dans la Patagonie Argentine. En chemin, ils rencontreront Ana (Cecilia Dopazo), une adolescente qui les accompagne dans ce voyage.

Buenos Aires, mars 1982. Dans les rues de la capitale argentine, la dictature militaire est contestée. María Teresa est surveillante au Lycée National de Buenos Aires, l’école qui forme les futures classes dirigeantes du pays. Elle a 23 ans et veut bien faire. M. Biasutto, le surveillant en chef, décèle tout de suite en elle l’employée zélée qu’il attendait et lui apprend à être l’oeil qui voit tout, mais qui échappe aux regards des autres : l’oeil invisible. María Teresa se lance alors dans une surveillance acharnée de ce petit monde clos, imaginant, décelant, traquant...

Buenos Aires, 1955. One of a family of Sicilian immigrants, the adolescent Laura is on the threshold of adulthood. Her father Francesco Lojacono, is a humble tailor whose relationship with his daughter is one of extreme conflict. As Laura becomes increasingly emancipated in Argentinian (and therefore American) fashion, her father feels personally betrayed.