Ken Kawahara

Tamio takes Itsuko to an art gallery and the two find one painting is a nude portrait of Itsuko's mother, who disappeared twenty years ago when she was just a baby. No one knows the first thing about the artist who painted it, but he goes by the name Shiro Sofue, and he's always wearing shades in the daytime...

Un homme débarque à Tsushima, haut lieu de contrebande depuis la guerre, avec l’intention de tuer celui qui lui a enlevé sa petite amie. S’ensuit une guerre des gangs sur l’île.

The 6th Super Giant film. Although he was believed to be destroyed by the Nazi-like army, Super Giant breaks into the satellite, and a long, riotous battle ensues. (Part 2 of 2)

The 5th Super Giant film. Super Giant pursues a Nazi-like army that operates on a huge satellite in space. The satellite is armed with weapons that could destroy whole cities on Earth from afar. (Part 1 of 2)

Arrêtée pour le meurtre de son père, un riche homme d'affaires puis reconnue coupable sur de fausses preuves et condamnée à mort, Kyoko est déterminée à prouver son innocence.

Caché derrière les rues glamour et les lumières vives de Ginza à Tokyo se cache un ventre miteux de sexe et de criminalité. La prostitution étant interdite, les gangs gèrent des entreprises de « call girl » présentées comme des entreprises légitimes. L'une de ces opérations est dirigée depuis la discothèque « Arizona ». Le détective Yoshioka est un flic infiltré d'Osaka qui travaille avec la police de Tokyo pour démêler les divers liens criminels qui lient le Japon à des groupes internationaux...

Freelance reporter “Scoop” Machida is hot on the trail of a prostitution ring called the Black Line, when he is framed for the murder of a young woman. Forced to clear his own name, the handsome journalist sinks deeper into the Black Line’s rotten swamp of drugs, prostitution, and murder and finds unexpected help in Maya, a steamy female gambler familiar with the neon-lit streets, shadowy alleyways, and seedy nightclubs he must navigate. The closest film in the Line series to classic American film noir, Ishii’s Black Line is a pulpy assortment of crime film conventions including the starkly expressionistic black and white cinematography by Jûgyô Yoshida, a jazzy music score by Michiaki Watanabe, and a sleazy screenplay by Ishii and Ichirô Miyagawa.

Desiring another officer’s new wife, a military police lieutenant fabricates evidence of treason that consigns the innocent man to torture and a firing squad. The lieutenant rapes the wife, but is haunted by bad dreams which after he is assigned to a battalion with the victim’s brother.