Idenisse Salamán

Elisa and her best friends arrive at a stunning home-share rental for their much-needed girls' trip. Their stay takes a dark turn when Elisa starts to suspect the property's charming and gorgeous host may be connected to recent disappearances near the small coastal town.

As her cancer spreads, Noelia's ultimate decision is to return to her native Vieques, Puerto Rico, and claim her freedom to decide her own fate. She reunites with her friends and family, who are still dealing with the contamination of the U.S. Navy after 60 years of military practices.

Bautista is a taxicab driver that has been rented by a woman named Ada. Ada wants him to drive her to the other side of the island with the condition that he doesn't take any other passengers and that he drives her to get some guavas. During the trip, Bautista, a driver for more than 44 years, becomes a storyteller. He tells Ada different stories that he has heard all related to the exotic guava fruit. These stories begin to take life while Bautista tells them, giving us a whimsical touch of magical realism with a Caribbean twist, and showing how fragile the circumstances these characters live are.

El cimarrón is a love story about a young African couple, Marcos and Carolina, that takes place in the slavery era at the turn of the nineteen-century in a Caribbean island. After several futile escape plans, Marcos finally escaped. Now free, he returns to liberate his beloved Carolina.

Presents three barrio stories: "La familia del Camello" about a public residential basketball coach and his dilemmas, "El baila'o de Julia y Berto" about two neighbors trying to rediscover love in their maturity, and "El rumbón de Fepe" about a man who has to choose between his barrio and the woman he loves.

A cybernetic relationship faces their first face-to-face encounter.

Amalia is extremely shy, keeping her from socializing with people around her. The music that her neighobr interprets is her way of relaxation. An event brings the threat that the piano will be gone, putting at risk her intimate space of security.