Tatsumi Nikamoto

Les aliens de la troisième planète du Trou noir récupèrent la carcasse de MechaGodzilla dans le but de le lancer une nouvelle fois contre Godzilla, le protecteur de la Terre. Le robot malfaisant sera aidé par le Titanosaurus, un dinosaure contrôlé par des scientifiques.

A 1979 Japanese tokusatsu kaiju film produced by Tsuburaya Productions, consisting of re-edited material from the original television series Ultraman. Ultraman: The Great Decisive Battle was the 1st movie of the third Showa phase (Jissouji's Ultraman being first and Ultra Brothers vs. The Monster Army being second) and because of this Tsuburaya decided to make this a reunion of the last 12 Ultras (aside from Ultraman 80 which hadn't come out yet). Tsuburaya decided to give this a different tone than Jissouji's Ultraman, having more new scenes and appealing to the all-Ultra fan.

A la suite d'un forage, une équipe de chercheurs a découvert un lac situé sous la calotte polaire entouré d'une épaisse végétation. Cette équipe a été exterminée par un animal préhistorique, le tyrannosaurus rex, monstre pesant quatre tonnes et mesurant treize mètres. Grand chasseur, Masten Thaust, riche industriel, décide d'agrandir sa collection de trophées et d'abattre le monstre. Il s'entoure du Dr Kawamoto, paléontologue, Chuck Wade, survivant de la dernière expédition, Bunta, un pisteur africain, et Francesca Banks, une journaliste désirant faire des photos de la bête...

After Emiko, a bookstore owner, is driven to suicide by loan sharks, her orphaned son Eisuke decides to take his revenge on them. As Eisuke has no relatives, he is taken in by Keiko, who keeps an eye out for him due to his unusual behavior. One day, Eisuke breaks into the loan company with an improvised gun. In the moment, Keiko ends up becoming Eisuke's accomplice and helps him succeed in the robbery. However, the two are surprised when they hear something on the TV news that differs from the truth.

The first film about Kiriko - a blind woman with a sword.

Se déroulant au Japon à l'époque de la bulle économique (1986-91), cette comédie familiale unique dépeint avec gaieté et humour le quotidien d'une étrange famille qui travaille ensemble pour accumuler un petit magot, tout en mêlant ironie et satire.

The film is a series of vignettes from Taiji Tonoyama's life and film clips, interspersed with a dialogue to camera by Nobuko Otowa, addressing the camera as if she is addressing Tonoyama himself, recollecting events in his life. The film focuses on Tonoyama's alcohol dependence and his various sexual relationships, as well as his film work with Shindo.

Masao Yano was once a high ranking member of the biggest yakuza group in Japan. He left the yakuza and now runs a private detective office with a young girl Shiori Kuroki. She is in the second grade of elementary school. One day, he gets a phone call for his assistance. He goes out to meet his client, but he finds his client dead.

A series of serial murders occurred in a historic ruins where a TV crew is shooting a documentary.