Akihiro Suzuki

Fugitive Jack is doing everything in his power to evade both the police and gangsters. Assuming he’s in the clear, he moves in with Keiko, a pornstar whose early life in an abusive family still haunts her.

Don’t Dare to Stop Love follows the conflicted and delusional life of a single mother and cancer victim. An abstract exploration of her relationships with both her young lover and teenage daughter, the film shows us the tortures of a self-indulgent mind. In a plea for affection, she devotes the last months of her life taking care of "Pet," her boyfriend. This, however, turns sour when her excessive need for pity becomes too much for him to bear. Intercut with sketches of her teenage daughter gossiping about her mother’s strange behaviour, we develop a compassion for the lead. Will she succumb to the darkness of her own mind or will she be inspired to overcome her fate? © Julia Wiese

Japanese student You throws his relationship with boyfriend Shin into jeopardy when he begins an affair with an attractive man he meets at a train station. You attempts to come clean with his secret, but ending the affair proves too difficult. As a complicated and dangerous love triangle develops between these three men, each one begins to closely examine his identity, sexuality and intentions.

Takachi, a young porno star from a small town in Japan is found dead. His death provides the opportunity to show us his true emotions, and how his two best friends in Tokyo remember him. These two travel back to Takachi's town, Kochi, which Takachi himself had visited just prior to dying. In Kochi, all boys seem to be angels.

Takachi, a young porno star from a small town in Japan is found dead. His death provides the opportunity to show us his true emotions, and how his two best friends in Tokyo remember him. These two travel back to Takachi's town, Kochi, which Takachi himself had visited just prior to dying. In Kochi, all boys seem to be angels.

Takachi, a young porno star from a small town in Japan is found dead. His death provides the opportunity to show us his true emotions, and how his two best friends in Tokyo remember him. These two travel back to Takachi's town, Kochi, which Takachi himself had visited just prior to dying. In Kochi, all boys seem to be angels.

Takachi, a young porno star from a small town in Japan is found dead. His death provides the opportunity to show us his true emotions, and how his two best friends in Tokyo remember him. These two travel back to Takachi's town, Kochi, which Takachi himself had visited just prior to dying. In Kochi, all boys seem to be angels.

A conceptual pinku film by renowned experimental artist Hiroyuki Oki, which is conceived of 60 shots which all are 60 seconds long and represent an absurdist take on the narrative and stylistic schemes of erotic cinema.

Takachi, a young porno star from a small town in Japan is found dead. His death provides the opportunity to show us his true emotions, and how his two best friends in Tokyo remember him. These two travel back to Takachi's town, Kochi, which Takachi himself had visited just prior to dying. In Kochi, all boys seem to be angels.

Aketo is 20 year old college student living in Tokyo. He has an older lover named Hiroshi who lives in Kyoto. One day, Aketo meets a young woman Harumi who is wandering around in Tokyo. Harumi rolls into Akato's house.

Aketo is 20 year old college student living in Tokyo. He has an older lover named Hiroshi who lives in Kyoto. One day, Aketo meets a young woman Harumi who is wandering around in Tokyo. Harumi rolls into Akato's house.

A film like an Impressionist painting; the kind of paintings to have titles like 'urban view from the artist's studio'. The film is largely set in the film-maker's home and the street in the provincial town of Aichi where he lives. Minor everyday incidents are observed poetically; the melancholy mood of the images is boosted by serene electronic music. There is no dialogue; the sound track only comprises streets sounds as well as the music. Loose, almost nonchalant impressions of the street or of cloudy skies are juxtaposed with posed, almost photographic mildly homo-erotic portraits of friends of the film-maker. Tarch Trip is made up of fragments of a cinematographic diary, which are however not edited chronologically. Two periods alternate. One is characterized rain and dark cloudy skies. The other is sunny and repeatedly accompanied by three friends

Fugitive Jack is doing everything in his power to evade both the police and gangsters. Assuming he’s in the clear, he moves in with Keiko, a pornstar whose early life in an abusive family still haunts her.

A young runaway, suffering from the stigma and remorse of an abortion meets a terminally ill man. Mizuki, a lesbian is unable to fall in love for fear of being hurt. Finally, Hikari a is a homemaker who yearns to be loved without being pressured into a physical relationship. Without intersecting, their 3 stories create a world bound together by the moon in the sky they all wistfully gaze upwards to.