Fatima Horbenko

A poignant professional directing debut of Kobas Laksa, a visual artist, photographer, performer and an experimenter. Larysa and Boris, immigrants from Ukraine, are raising their son Mitia together. They try to balance their private and professional life. Larysa plays the flute and tries to be admitted to the local philharmonic orchestra, while Boris is a street mime. When they seem to have luck on their side, an accident that happens forces them to redefine the vision of the future they have had so far. Very close to man, this kind of cinema is balanced and intimate, with a sparse use of dialogue and great consistency of the form.

Artistic portrayal of the difficult personality of Bohdan Khmelnytsky and his dramatic life against the backdrop of National-liberation war in the mid-17th century and the Cossack state building. The main storyline shows Khmelnytsky not only as hetman and commander, but reveals his private life and his complicated relations with his beloved woman.

Kateryna is beautiful, clever and by the will of her godmother was raised as a lady of noble blood. But for the whole world, she is only someone else’s property, a bondmaid of the richest landowner in Nizhyn – Chervinskyi. Struggling for her freedom and the right to be happy, she will have to endure the deaths of her closest people, become the property of a woman who hates and dreams to kill her, survive the popular uprising, escape while being chased by a maniac and flee from the one who wants to get her above all. What awaits Kateryna at the end of such a terrible and exhausting path to freedom?