Laida Lim-Perez

van est un écrivain qui n'arrive plus à s'arracher à la ville de Manille, dont il aime l'ambiance et les femmes. Au-delà d'une activité commerciale qu'il exerce en dilettante, il aime surtout flâner mélancoliquement et draguer les jolies femmes. Un jour, il fait la connaissance de Mari.

A documentary produced by Cinema One that sees through fully restored film in the eyes of young filmmakers.

Al is a balikbayan who returns to his former hometown where his mother is buried. There he meets his childhood friend Cristy who works as a counselor for family planning. Eventually they develop a romantic relationship and end up as a couple. However, a mysterious lady appears one day while Al tends to his mother’s grave. Al falls in love with the stranger and is now torn between her and Cristy.

Al is a balikbayan who returns to his former hometown where his mother is buried. There he meets his childhood friend Cristy who works as a counselor for family planning. Eventually they develop a romantic relationship and end up as a couple. However, a mysterious lady appears one day while Al tends to his mother’s grave. Al falls in love with the stranger and is now torn between her and Cristy.

The once illustrious Lopez-Aranda family has faded. Celia, once the darling of Philippine opera, and Gaspar, a distinguished ex-congressman, lacked the shrewdness to maintain their once elegant status. Saddled with a failed marriage, a vanishing career and mounting debt, Celia sold her share of their house to Gaspar, now bedridden. She managed to stay for free in exchange for being Gaspar’s caregiver. Gaspar loves listening to Celia’s arias. This idyllic arrangement is shattered when he slips into a coma. His daughter, Raquel, comes home from the US, determined to sell the house to salvage her own economic woes abroad. This signals Celia’s impending homelessness. With only a few heirlooms to sell, she is at her wits’ end. A fervent believer of the Sto. Nino, she hopes for a miracle. She dresses up her grandson, Antony, in Sto. Nino robes to prepare him for the coming fiesta.

Set at the turn of the 20th century during the Filipino revolution against the Spaniards and, later, the American colonizers, it follows a naive peasant through his leap of faith to become a member of an imagined community.