Gabriele Stötzer

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Rebellinnen – Fotografie. Underground. DDR.
1
The rough, unkempt facades in Prenzlauer Berg – as if the skin had been peeled off the houses, says photographer Tina Bara. Having grown up in a prefabricated building, the young woman was drawn to East Berlin. She quickly got in conflict with the state, just like the artists Cornelia Schleime and Gabriele Stötzer, whom director Pamela Meyer-Arndt questions in her film about memories, traumas and creative genesis.
Documentary
Brisées
6.2

Brisées

Feb 14, 2016
D'après des témoignages d'anciennes détenues sur les conditions de vie dans la prison pour femmes la plus connue de l'ex-RDA : châtiments, cellules surpeuplées, travail forcé pour des gains économiques des deux côtés du rideau de fer.
Animation
Spuren des Performativen
1
GDR August 31, 1985, Klubhaus in Coswig/Dresden - "Intermedia I - Farbraum/Klangbild"- the event was the first and, as it turned out, the last exhibition by the subculture in East Germany, in which over 40 visual artists and twice as many musicians, performers and super 8 film photographers participated. About 1,200 visitors travelled from all over the GDR to witness a six hour programme on both evenings. It remains unclear to this day how many informers working for the Stasi were among them.
Documentary
Veitstanz/Feixtanz
1

Veitstanz/Feixtanz

Jan 01, 1988
Historically, the phenomenon of St Vitus’ Dance (Veitstanz) first appeared in the Middle Ages, when groups of adults and children danced in public until they lost consciousness. In 1988, 13 women and men attempted to revisit the power of this ancient ritual in Erfurt. Dancing at sites of their own choosing, each one developed, without any music, their own movement which they then repeated to the point of ecstasy.
Veitstanz/Feixtanz
1

Veitstanz/Feixtanz

Jan 01, 1988
Historically, the phenomenon of St Vitus’ Dance (Veitstanz) first appeared in the Middle Ages, when groups of adults and children danced in public until they lost consciousness. In 1988, 13 women and men attempted to revisit the power of this ancient ritual in Erfurt. Dancing at sites of their own choosing, each one developed, without any music, their own movement which they then repeated to the point of ecstasy.
Veitstanz/Feixtanz
1

Veitstanz/Feixtanz

Jan 01, 1988
Historically, the phenomenon of St Vitus’ Dance (Veitstanz) first appeared in the Middle Ages, when groups of adults and children danced in public until they lost consciousness. In 1988, 13 women and men attempted to revisit the power of this ancient ritual in Erfurt. Dancing at sites of their own choosing, each one developed, without any music, their own movement which they then repeated to the point of ecstasy.
Veitstanz/Feixtanz
1

Veitstanz/Feixtanz

Jan 01, 1988
Historically, the phenomenon of St Vitus’ Dance (Veitstanz) first appeared in the Middle Ages, when groups of adults and children danced in public until they lost consciousness. In 1988, 13 women and men attempted to revisit the power of this ancient ritual in Erfurt. Dancing at sites of their own choosing, each one developed, without any music, their own movement which they then repeated to the point of ecstasy.
Veitstanz/Feixtanz
1

Veitstanz/Feixtanz

Jan 01, 1988
Historically, the phenomenon of St Vitus’ Dance (Veitstanz) first appeared in the Middle Ages, when groups of adults and children danced in public until they lost consciousness. In 1988, 13 women and men attempted to revisit the power of this ancient ritual in Erfurt. Dancing at sites of their own choosing, each one developed, without any music, their own movement which they then repeated to the point of ecstasy.
Veitstanz/Feixtanz
1

Veitstanz/Feixtanz

Jan 01, 1988
Historically, the phenomenon of St Vitus’ Dance (Veitstanz) first appeared in the Middle Ages, when groups of adults and children danced in public until they lost consciousness. In 1988, 13 women and men attempted to revisit the power of this ancient ritual in Erfurt. Dancing at sites of their own choosing, each one developed, without any music, their own movement which they then repeated to the point of ecstasy.