Mariya Krylova

The film is about a day in the life of Elizaveta Petrovna Glinka, also known as Doctor Liza. Moscow, 2012. The Glinka family prepares for a celebration: thirty years together. The closest friends are invited for dinner, the sons have arrived. Of course, Liza has freed up this day for her family. There’s just a trifle: to stop by the Fund and see the weekly patients at the Paveletsky Station. But the days of Doctor Liza are always full of surprises… In a hospital in a Moscow suburb a five-year-old girl is dying. The duty doctor has to discharge Eva. Due to medical formalities the child, who suffers from cancer, is left without painkillers. In utter despair, the girl’s father turns to Liza for help. When Liza cannot find a way to help the child within the system, she decides on a desperate act…

A hearing-impaired girl returns home from an orphanage and is faced with a great number of difficulties, the most important of which is the socialization problem. Naturally, she also finds her first love there...

Sasha is stalking a man. They seem to have a common past, which Sasha can't let go. This leads her into dark territory. For he is an uncompromising photographer, who is obsessively trying to get an exhibition in a gallery. His theme is fear - and to capture this in its perfection, he puts women into shock situations in his photo shoots. In the process, reality and production become blurred, and the models pay the price. One day he turns up at Sasha's door - A dark cocktail of passion and obsession, portraying the borderline facets of photography.

Love is longer than life, memory is stronger than death.

New film by Anton Mamykin

An avant-garde adaptation of the play by Georg Buchner about the last days of the Dantonists, representatives of the right wing of the Jacobins during the French Revolution. The director freely experiment with form and content, draws parallels with the present day and raises the question point-blank: why does the revolution, like the ancient Greek titan Kronos, always devour its children?