Ana Paula Maia

How much theatricality is there in an interview-based documentary? On one side, someone answers. On the other side, someone asks questions – usually away from the camera eyes. But what would happen if also filmed the interviewers? And if the respondent also had the right to ask? And if the parties never met? What if instead of a glimpse into someone’s life, we had several? ‘Seven visits’ is a film about questions. And about the act of being interested in the other.

Edgar Wilson, a roadkill collector in rural Brazil, dreams of escaping his small-town existence with Nete, the love of his life. When Nete decides to join her family in an apocalyptic cult, Edgar finds himself at a crossroads. With the world on the brink of destruction, Edgar and his unlikely companion Tomás – a disgraced and excommunicated priest – embark on a dangerous road trip through a landscape plagued by chaos and despair.

A small group of artists travels the Brazilian backlands presenting a show. Upon arriving in a small village, they find an abandoned city with houses, a church, and a fountain spouting clean water, like a miracle of a biblical desert. Tired of and battered by their life as wanderers, the artists decide to settle in the village and start a new community, assigning themselves different roles from those they have played throughout their lives. This new arrangement, however, will reveal these artists the worst vices of the civilian life.

Amadeu needs money, he and Gina are in trouble.Fate smiles on him when he finds a bag stuffed with a small fortune, which he ends up hiding. Now Gina has to find out where Amadeu kept the bag. But she's not the only one on the hunt for this fortune.

In 1988, the disappearance of a young girl shocks the population of little Brígida, in the interior of southern Brazil, resulting in the banning of pagan festivities of Ivana Kupala. Thirty years later, the city is preparing to bring the party back, but terrifying events, along with the dangerous ritual of transmigration of souls, unsettle the community and bring to light the secrets of a crime that ties three families’ destinies through time.

In 1988, the disappearance of a young girl shocks the population of little Brígida, in the interior of southern Brazil, resulting in the banning of pagan festivities of Ivana Kupala. Thirty years later, the city is preparing to bring the party back, but terrifying events, along with the dangerous ritual of transmigration of souls, unsettle the community and bring to light the secrets of a crime that ties three families’ destinies through time.