Θόδωρος Ντόβας

An abstract tale of a society that exploits everyone and everything. A closed societal system is run by a class of rulers composed of priests, elders, politicians, bankers, and military men. All these people prostitute themselves in order to exercise power with the same ease that they drink their coffee.

A fisherman living with his wife peacefully finds some ancient statues whilst diving, and he contacts his old partner, a small time crook in order to smuggle it. His friend visits him at home with his girlfriend and problems begin.

A naive young man, Mikes tries to solve its economic problems by marriage with a wealthy bride. After various matchmaking, find an equally naive but wealthy girl and the match ends in love. However, at the request of her father to marry her must first find the job himself. His efforts to restore business fail and decides to thieves with his beloved. Fortunately her father will give in and allow them to marry.

The year is 1965. Natasa Arseni visits Dachau, the place where she was found by the Americans at the end of the World War II. She returns to Greece, and during the train ride she recalls those past events. Before the beginning of the Greek-Italian war, she met Orestis . With the German invasion, Orestis, who was an officer in the Greek army, left for the Middle East. She followed him and accompanied him back to occupied Greece on a mission. She was arrested, interrogated and tortured and was finally sentenced to execution.

A conceited businessman, who thinks that he has struck oil, starts a petroleum company and catches the attention of money-grubbing swindlers. Can his secretary help him see that this reckless enterprise is nothing but an elaborate hoax?

One of filmmaker and expatriate writer Adonis Kyrou's best-known quotes translates roughly as "I urge you: Learn to look at 'bad' films, they are so often sublime." The same could be said of Kyrou's own directorial work in Greece before the advent of the 1967 dictatorship forced him to flee to Paris. This confused mess, the first cinematic attempt at portraying the Greek resistance in WWII, caused quite a stink upon release, as much for its surprising style (recalling that of Bertolt Brecht) as for its subject matter. Reaction to its screening as part of the 1966 Cannes Film Festival's International Critic's Week was heated and divisive, proving Kyrou's later statement by rising above its own inherent silliness to achieve a sort of rarefied critical status. It's bad drama that nonetheless succeeds by dint of audacity more than quality (a comment which could apply equally to the work of many exploitation directors like Jean Rollin whom Kyrou later so lovingly profiled).

A vibrant cafe owner struggles to attract the girl of his dreams. Who knows, with a bit of luck and sharp wits, life can sometimes be a bed of roses.

Rena’s father insists on marrying her off to the son of a shipowner. Rena, however, doesn’t even want to hear about it, so she runs away and disguises herself as a boy named Pipis. As such, she meets a poor fisherman, Lefteris, and helps him on his way to Ioannina.

Kostas is a law-abiding citizen, a quite man living with his mother, his sister Kaiti and his younger brother, Giorgos, who is a student. He works day and night at his kiosk, living to his bone the everyday reality and troubles of the period. He is in love with Eleni and wants to marry her, but he has to wait until Kaiti is married to Leonidas, her extremely conservative fiancé. The military coup of April 1967 forces Kostas to take the side of the winners, hanging, each time, the picture of their most powerful leader, while Giorgos joins a resistance group that sets up bombs. Giorgos’ actions puts Kostas in big trouble.

A pageant queen marries o wealthy man,but his mother will do anything to keep them apart.