Germaine Dieterlen

Belgian filmmaker Eric Pauwels' meditation on dream, travel and film.

In front of Jean Rouch's camera, Germaine Dieterlen recalls her ethnographic itinerary, at the Musée de l'Homme, in Mali and in the Paris of the 1930s.

Germaine Dierterlen talks about Dogon mythology at a conference on the Bandiagara cliffs. The Songo canopy is a sacred site in Bandiagara. Its walls are covered with paintings depicting the different phases of creation. A little further on, in a cave near the village of Bongo, symposium participants are discussing the Tellem, the people who lived in the houses built into the cliffs before the arrival of the Dogon. The archaeological remains and migratory movements of these two peoples are discussed.

In Sangha, through the window of her house, Germaine greets Djamgouno, her main informant. He then translates for her a conversation she has with a half-blind old man. She recounts her memories of a past party at which Amadigné worked with her as an informant. Later, in front of the cliff, Germaine, Djamgouno and Pangalé are sitting on rocks, and Germaine talks about the many caves that can be visited by climbing small spelunking ladders. Rouch intervenes during the interview, asking the protagonists about the settlement of the cliff by the Dogon, who learned from the Tellem how to climb the cliff. Rouch then asks about the Tellem's predecessors who lived there 2,400 years ago. Germaine admits the ignorance of researchers on the subject, and Rouch concludes by joking about the new task that now falls to Germaine Dieterlen.

Beginning of the sextenary festival of the Sigui among the Dogon of the Bandiagara cliff in Mali. This first ceremony takes place at the village of Yougo Dogorou. The men, shaved and dressed in ritual clothes of the Sigui, enter the public square dancing the snake dance. They honor the terraces of the famous dead of the last sixty years and go to drink the sacramental millet beer.

The fourth year of the Sigui ceremonies, celebrated every sixty years by the Dogons of the Bandiagara cliffs, Mali, takes place in the village of Amani.

The sixth year of the Sigui ceremonies, celebrated every sixty years by the Dogons of the Bandiagara cliffs, Mali.

Burial of the Hogon of Sanga, Dogon religious leader of Lower Ogol, Mali.

The young goat herders from the cliff of Bandiagara practice on the stone drums of their ancestors. An ethnomusicological film experiment describing the subtle plays of the right and left hand of Dogon drummers.

Sigui 1967-1973: invention de la parole et de la mort is a never-before-seen synthesis of the roaming ceremony of the Dogon people living in Mali, the Sigui. It is celebrated for seven years every sixty years, and it is to commemorate the first forefather’s death and funeral and the bestowal of speech to humans.

In 1972, the Dogon of the Bandiagara cliff in Mali celebrated the funeral of Anaï Dolo, head of the Bongo Masks Society, who died at the age of 122. On this occasion, the large Bongo mask, is erected and for twenty days, family members, elders, men from neighbouring villages purify the village.