Ren Ebel

Laida Lertxundi continues her exploration of the American West with the intimately scaled 025 Sunset Red, which folds in autobiography as she looks back to her parents' radical activism in Spain.

A man, a woman and their young daughter live together in an apartment in the Basque Country. Domestic chores and everyday gestures are superimposed onto lush, green landscapes. The filmmakers and their stand-ins reinterpret fragments of a diary. Music fills the house while children’s drawings come to life. Combining quiet observation and moments of fantasy, In a Nearby Field is a film about support, heredity and the invisible labors which sustain us.

A man, a woman and their young daughter live together in an apartment in the Basque Country. Domestic chores and everyday gestures are superimposed onto lush, green landscapes. The filmmakers and their stand-ins reinterpret fragments of a diary. Music fills the house while children’s drawings come to life. Combining quiet observation and moments of fantasy, In a Nearby Field is a film about support, heredity and the invisible labors which sustain us.

A man, a woman and their young daughter live together in an apartment in the Basque Country. Domestic chores and everyday gestures are superimposed onto lush, green landscapes. The filmmakers and their stand-ins reinterpret fragments of a diary. Music fills the house while children’s drawings come to life. Combining quiet observation and moments of fantasy, In a Nearby Field is a film about support, heredity and the invisible labors which sustain us.

A man, a woman and their young daughter live together in an apartment in the Basque Country. Domestic chores and everyday gestures are superimposed onto lush, green landscapes. The filmmakers and their stand-ins reinterpret fragments of a diary. Music fills the house while children’s drawings come to life. Combining quiet observation and moments of fantasy, In a Nearby Field is a film about support, heredity and the invisible labors which sustain us.

Borrowing its title from a literary genre, the film acknowledges the indeterminacy of both fiction and the self. Noir elements are reduced to deadpan gestures under bright California sunlight. Field recordings made in New Zealand are heard as women speak with each other about motherhood, abortion, breakups and anxiety. A civil rights parade moves slowly down a street. Bodies appear in states of weariness, injured or at rest, while songs by Irma Thomas and Goldberg evoke the passing of time and an uncertain future.

Borrowing its title from a literary genre, the film acknowledges the indeterminacy of both fiction and the self. Noir elements are reduced to deadpan gestures under bright California sunlight. Field recordings made in New Zealand are heard as women speak with each other about motherhood, abortion, breakups and anxiety. A civil rights parade moves slowly down a street. Bodies appear in states of weariness, injured or at rest, while songs by Irma Thomas and Goldberg evoke the passing of time and an uncertain future.