Cristina Soria

Mabel has gone viral. And in the least desirable way possible. During her flight to Polynesia, she unlocks her sleeping husband's cell phone with innocent intent, but what she finds is proof of infidelity.

César and Teresa are a happy couple until one night she sleeps with Coque Malla, César's great idol since his adolescence. Teresa confesses it to César, repentant, but he doesn't know how to react. Is being unfaithful with your erotic myth excusable? Teresa has not slept with her idol, but with Caesar's. And there is no current legislation on that. César needs to talk to Coque, even though the singer no longer lives in Spain. So the couple travels to Miami in search of him, while they rethink their 15-year relationship and their own lives.

Cristina has been dreaming of sleeping with Juan Diego Botto for twenty years. He's been dreaming of a fairer world his whole life.

Un tueur en série envoie des photos compromettantes à ses victimes avant de les achever. Jusqu'au jour où Sonia, une jeune actrice prometteuse, en reçoit une.

Former best friends Hache and Belen reunite in Malasana, the hippest neighborhood in Madrid. Hache is freshly single and still mourning the demise of her relationship, while Belen is a struggling actor. As they fumble their way through unexpected setbacks, dating mishaps, and apartment woes, they soon realize that life is better together.

Recounts the experiences of a middle-class family, the Alcántaras, during the last years of the rule of Francisco Franco and the beginning of the Spanish Transition to democracy.

Recounts the experiences of a middle-class family, the Alcántaras, during the last years of the rule of Francisco Franco and the beginning of the Spanish Transition to democracy.

Le combat d'une famille pour la survie dans un Madrid dystopique met en lumière les disparités existantes entre deux mondes séparés par un mur... et bien plus encore.

La que se avecina is a Spanish television comedy created by Alberto Caballero, Laura Caballero and Daniel Deorador. The TV-series focusing around the inhabitants of Mirador de Montepinar, a fictional building located on the outskirts of a big city. Both its storylines and cast are heavily based on Aquí no hay quien viva, which ended when Telecinco bought Miramón Mendi, the series production company. The episodes debuted on the Telecinco network, and were later rerun by the same network as well as cable/satellite channels FactoríaDeFicción and Paramount Comedy. The series debuted in 22 April 2007 and became popular thanks to its funny characters, witty script, use of catchphrases and capacity to integrate and poke fun at contemporary issues; the program presents a caustic satire of many of the 'types' found in Spanish society. The name of the show involves wordplay, as "vecina" is the Spanish word for neighbour.

La que se avecina is a Spanish television comedy created by Alberto Caballero, Laura Caballero and Daniel Deorador. The TV-series focusing around the inhabitants of Mirador de Montepinar, a fictional building located on the outskirts of a big city. Both its storylines and cast are heavily based on Aquí no hay quien viva, which ended when Telecinco bought Miramón Mendi, the series production company. The episodes debuted on the Telecinco network, and were later rerun by the same network as well as cable/satellite channels FactoríaDeFicción and Paramount Comedy. The series debuted in 22 April 2007 and became popular thanks to its funny characters, witty script, use of catchphrases and capacity to integrate and poke fun at contemporary issues; the program presents a caustic satire of many of the 'types' found in Spanish society. The name of the show involves wordplay, as "vecina" is the Spanish word for neighbour.

When Gonzalo Torregrosa, owner and founder of Torregrosa Funeral Home, passes away, Dámaso Carrillo, his right-hand man in the company, doesn’t hesitate that the best for the business is taking the reins himself. However, against all odds, Nieves, the septuagenarian widow, decides to take the lead in the family business, with the assistance of her inept yet enthusiastic son-in-law, Chemi, a Marketing expert, and in defiance of her daughters’ plans to close the Funeral Home and start a gym. While Dámaso conspires and manipulates his colleagues against the new management, the company will face competition from Transitus Funeral Services and their expansion plans, as well as a #MeToo case that threatens Gonzalo Torregosa’s legacy.

Un peu perdus dans un nouveau monde où les femmes s'affirment, les quatre amis Pedro, Luis, Raúl et Santi essaient tant bien que mal de trouver leurs marques.