Ruelo Lozendo

A wounded activist ends up in a toilet and meets two members of the oppressed masses whose only reality is living on toilet fees.

Imahe Nasyon is a groundbreaking, conceptual omnibus film by 20 alternative filmmakers who were tasked to present their personal visions on national issues. Renowned line producers Jon and Carol Red hatched the idea of revisiting the 1986 EDSA revolution, challenging directors to answer the question "What happened after 1986?" with a short film not longer than five minutes each. Despite individual techniques, the same goal is shared: to depict a truthful image of the nation at present.

Imahe Nasyon is a groundbreaking, conceptual omnibus film by 20 alternative filmmakers who were tasked to present their personal visions on national issues. Renowned line producers Jon and Carol Red hatched the idea of revisiting the 1986 EDSA revolution, challenging directors to answer the question "What happened after 1986?" with a short film not longer than five minutes each. Despite individual techniques, the same goal is shared: to depict a truthful image of the nation at present.

Pandanggo has three stories with parallel themes converging in one event, the Kasilonawan Festival in Obando: a career woman learning to dance tango who is torn between her dance partner and live-in partner has to choose the man who will satisfy her dream of raising a family; a wife whose wish to conceive a baby boy to make her husband happy brings her feet to the festival, but fate has other plans of bringing the child into her life; and a modern woman who, amidst her medical condition that might render her childless for the rest of her life, finds connection with an ancient lore about fertility.

Pandanggo has three stories with parallel themes converging in one event, the Kasilonawan Festival in Obando: a career woman learning to dance tango who is torn between her dance partner and live-in partner has to choose the man who will satisfy her dream of raising a family; a wife whose wish to conceive a baby boy to make her husband happy brings her feet to the festival, but fate has other plans of bringing the child into her life; and a modern woman who, amidst her medical condition that might render her childless for the rest of her life, finds connection with an ancient lore about fertility.

Pandanggo has three stories with parallel themes converging in one event, the Kasilonawan Festival in Obando: a career woman learning to dance tango who is torn between her dance partner and live-in partner has to choose the man who will satisfy her dream of raising a family; a wife whose wish to conceive a baby boy to make her husband happy brings her feet to the festival, but fate has other plans of bringing the child into her life; and a modern woman who, amidst her medical condition that might render her childless for the rest of her life, finds connection with an ancient lore about fertility.

In a town where friars lord it over the laymen and peasants, trust is a foreign word. As the townspeople prepare a despedida for the dismissed Mayor, suspicions arise, unraveling secrets that could change the course of their history.

Pinoi Rock & Rhythm sheds the spotlight on four obscure yet significant figures in contemporary Philippine Popular Culture. Rebel Disc Jockey Dante "Howlin" Dave David, Stills Photographer and former stuntman Mr. Johnny Albia, Elvis Presley devotee Mr. Chito Bertol and Pinoy Rock guitar icon Mr. Jun Lopito. The documentary unfolds lighthearted, candid and sometimes outrageous introspection from the four individuals on the ups and downbeats of their respective careers.

Pinoi Rock & Rhythm sheds the spotlight on four obscure yet significant figures in contemporary Philippine Popular Culture. Rebel Disc Jockey Dante "Howlin" Dave David, Stills Photographer and former stuntman Mr. Johnny Albia, Elvis Presley devotee Mr. Chito Bertol and Pinoy Rock guitar icon Mr. Jun Lopito. The documentary unfolds lighthearted, candid and sometimes outrageous introspection from the four individuals on the ups and downbeats of their respective careers.

A wounded activist ends up in a toilet and meets two members of the oppressed masses whose only reality is living on toilet fees.

A wounded activist ends up in a toilet and meets two members of the oppressed masses whose only reality is living on toilet fees.