Valentina Gómez

A black office comedy about a head of human resources who threatens to run away with his wife's best friend to escape the insanity around him.

A dying man arrives at a hospital where the chaos of the health system is remarkable. As he waits in line, a newscast announces violent incidents and police officers search the hospital for the possible perpetrator.

Marcos, a withdrawn park ranger, sees the fragile balance achieved in his isolation collapse with the arrival of a couple of biologists investigating strange bird deaths. Unfortunately, the desire and envy for normality represented by the couple awaken the monster he has been trying to control. His face, his legs, and his arms don’t belong to him and as the desperation becomes incontrollable, he can only see one way out: mutilation.

Bogota, Colombie. Une adolescente de dix-sept ans, Adelaida, vit avec ses parents, Lena, une organisatrice d’événements, et Francisco, un sculpteur et professeur d’art. Ils jouissent ensemble d’une confortable vie de famille, avec ses habituels hauts et bas. Mais les fêlures deviennent bientôt visibles. Francisco n’étant pas très impliqué dans les tâches domestiques, l’essentiel de la tenue de la maison et des devoirs parentaux retombent sur Lena, déjà surchargée de travail. Bien qu’elle soit solide et déterminée, elle se débat pour remplir le rôle de la mère qui travaille.

Jairo José Pinilla Téllez is the pioneer of suspense and science fiction in Colombian film. Pinilla was the first to use special effects in Colombian film and now, at the age of over 70, he is working to finish his last film. This documentary follows Jairo’s footsteps through Colombian film.

Three scripts, each one with independent storylines, have in common a vision of the Colombian capital in 2016.