Dick Blau

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Hamlet Act
1

Hamlet Act

Feb 16, 1982
Experimental filmmaker Robert Nelson brings his characteristic wit to this restaging of the famous “play rehearsal” scene from Hamlet, breaking down the barriers between film, theatre, performance, and creation. “Hamlet Act demonstrates what can be done when a film text is made to oppose a theatrical text, creating a new synthesis. . . Hamlet, caught in the web of psychological forces, is seen through his position between film/video/theatre, as a metaphor for contemporary technology.
Hamlet Act
1

Hamlet Act

Feb 16, 1982
Experimental filmmaker Robert Nelson brings his characteristic wit to this restaging of the famous “play rehearsal” scene from Hamlet, breaking down the barriers between film, theatre, performance, and creation. “Hamlet Act demonstrates what can be done when a film text is made to oppose a theatrical text, creating a new synthesis. . . Hamlet, caught in the web of psychological forces, is seen through his position between film/video/theatre, as a metaphor for contemporary technology.
Used Innocence
5.8

Used Innocence

Feb 22, 1989
Using experimental narrative structure as his vehicle, Benning recreates the sensationalized and controversial circumstances surrounding Lorencia Bembenek, aka "Bambi", former "Playboy bunny" turned cop, turned accused and convicted killer who disappeared after a daring escape from prison. The film shows the evolution of Benning's and Bembenek's relationship presented through their actual letters read in voice over which depict the filmmaker's curiosity with the subject as it evolves from intrigue to a love obsession.
Documentary
Oh, Rapunzel
1

Oh, Rapunzel

Jan 01, 1996
In Oh, Rapunzel, when Rapunzel flees the tower, Condit's mother leaves her home for an independent living facility and a freedom that she has never known.
Up The Block One Sunday
1
Unburdened by any sort of narration or pretension to convey a 'message,' the film is a sparkle of human energy sprouting in gospel singing and music. Blau, an experienced photographer, shows us here that he's a real jazz-man of the camera as his eye dances unforcefully with the emotionality of the performers in the film.
American Movie
7.6

American Movie

Nov 05, 1999
Unburdened by any sort of narration or pretension to convey a 'message,' the film is a sparkle of human energy sprouting in gospel singing and music. Blau, an experienced photographer, shows us here that he's a real jazz-man of the camera as his eye dances unforcefully with the emotionality of the performers in the film.
Documentary