Pablo Runyan

Three stories in which love plays a decisive role intersect. The first of them is led by a couple who decides to break with the chastity they have been keeping until then. In the second Mary discovers that the man with whom he wants to lose his virginity is a ruffian and in the third, and last, a marriage tries to maintain happiness despite the miseries of his daily life. Second film by director and screenwriter Julio Diamante , composed of three autonomous episodes, minimally chained, called " The sunset ", " The night " and " The morning ". The three chapters are very influenced by the social realism that invaded the Spanish literature of the time and by the badly assimilated cinema of Michelangelo Antonioni. This means that, for example.

Julio, an only child belonging to a wealthy family, murders a prostitute who tries to seduce him. He, in childhood, suffered severe trauma and this causes serious problems with women. Because of this, runs away and stays in a boarding house in Madrid, where he meets Monica, the daughter of the owner, who maintains relationships that seek to build on for help in their desperate situation. As his obsession for killing is increasing.

Benito Freire, a pedlar in a small village in northern Spain suffers from epileptic seizures and rumours start to spread that he may be a werewolf and responsible for a series of killings. The local Abbot is called upon to form a team to investigate, in an effort to halt the harrowing murders.

Matilde is a former prostitute who gets married to an american soldier with an uncertain future, due to the possibility of being recruited to the Vietnam War.