Niku Kheradmand

Unruled Paper is a 2002 Iranian film directed by Naser Taghva'i, based on an original script by Naser Taghva'i and Minoo Farsh'chi. The film was produced in 2001 by Yekta Film.

A young woman's wedding becomes a ritual of mourning when her sister and family die in an auto accident on the way to the wedding. The sisters' mother refuses to accept her daughter's death, and in the midst of wedding guests and mourners, including the drivers of the truck that caused the accident, she orders the wedding to take place. But how can the daughter marry in the midst of a wake and without the family's traditional mirror, which the sister was bringing to the service?

Kamran and Moluk, middle-aged siblings, live penniless in the family's Tehran mansion, selling furniture to pay expenses. Their brother, who owns the house, has died suddenly, and his widow, Forugh, is coming from the provinces to visit. Kamran writes an elaborate script and hires a troupe of five actors to be the household servants. The purpose of the charade, which will seem real to Forugh, is to drive her mad, perhaps to suicide, so that Kamran and Moluk can inherit the house. The play is elaborate, Forugh is fooled and terrified, and the police can't substantiate her wild claims. She appears insane to them. All is headed for the mysterious last act.

In modern day Iran, a female attorney fights for the custody of her seven year old diabetic son following a divorce from her husband. When the courts rule against her, she takes desperate actions that lead to tragic events.

A scientist has to face many hurdles to be able to continue his work.

Heshmati happens to find a golden statue while digging a well. He reckons that he's blessed forever and takes the statue to his apartment. Once it enters the apartment, the personality of the residents is changed, and a severe struggle to seize the statue begins.

Maryam believes that she does not have much time to live, but two foresights cause her to reject her own feelings. A fortune teller informs her about an engineer proposing her with flower. On the other hand, a wandered gypsy has seen a passenger in white who has taken Maryam to cure her disease. Anyway, she marries, but this is not an end for her way.

After years Reza Shayesteh returns to Iran from abroad to die peacefully and buried in his hometown. But his only problem is that after his death he has nobody to mourn him and participate ...

Une adaptation cinématographique d'un conte persan du 12e siècle est présentée à un public de plus de 110 actrices renommées, toutes iraniennes à l’exception d’une française. Bien que le film ne soit pas visible, les visages des femmes qui le regardent témoignent du récit.