Natalia Lazarus

After moving in an old lake house, Tristan and his husband Ryan soon regret their choice, realizing too late that by buying this house they also have become the owner of all its secrets including the bloodiest.

Across the Line (2000) is a truthful representation of both hope and corruption, focusing on critical events transpiring at America's border with Mexico and known both to those who live on the "line" (physical and metaphorical) and to those with the courage to cross it. Further it is a fine example of the filmmaker's art, featuring convincing portrayals underpinned by a convincing script and the directorial talent of Martin Spottl.

A Latina lesbian, colonel, a Midwestern private, and a Central American refugee, fight for their lives. Sheltering in an abandoned spa, they connect with each other and fearlessly face the onslaught of the oppressive Imperial forces.

Contemplates the notion of "identity" through the experiences of a Puerto Rican woman living in the US. In a wonderful mix of fiction, archival footage, processed interviews and soap opera drama, the film tells the story of Claudia Marin, a middle-class, light-skinned, lesbian Puerto Rican photographer / videographer who is attempting to construct a sense of community in the US. Confronting the simultaneity of both her privilege and her oppression, this experimental narrative becomes a meditation on class, race, and sexuality as shifting differences.

High school senior Brandon is drowning in responsibilities when his world is turned upside down after being robbed at gunpoint by the girl of his dreams.

A Latina lesbian, colonel, a Midwestern private, and a Central American refugee, fight for their lives. Sheltering in an abandoned spa, they connect with each other and fearlessly face the onslaught of the oppressive Imperial forces.

A Latina lesbian, colonel, a Midwestern private, and a Central American refugee, fight for their lives. Sheltering in an abandoned spa, they connect with each other and fearlessly face the onslaught of the oppressive Imperial forces.

À Westworld, un parc d'attractions dernier cri, les visiteurs paient des fortunes pour revivre le frisson de la conquête de l'Ouest. Dolores, Teddy et bien d'autres sont des androïdes à apparence humaine créés pour donner l'illusion et offrir du dépaysement aux clients. Pour ces derniers, Westworld est l'occasion de laisser libre-cours à ses fantasmes. Cet univers bien huilé est mis en péril lorsqu'à la suite d'une mise à jour, quelques robots commencent à adopter des comportements imprévisibles, voire erratiques. En coulisses, l'équipe, qui tire les ficelles de ce monde alternatif, s'inquiète de ces incidents de plus en plus nombreux. Les enjeux du programme Westworld étant énormes, la Direction ne peut se permettre une mauvaise publicité qui ferait fuir ses clients. Que se passe-t-il réellement avec les androïdes ré-encodés ?