Dani Barros

Brésil, au début des années 90. Une série de meurtres d’une rare violence secoue la paisible région de Serra dos Orgaos. Dépassée par les évènements, la police locale fait appel à la BOPE, les forces spéciales de Rio de Janeiro. Deux suspects sont identifiés, deux jeunes frères que la presse surnomme les « Frères Nécrophiles ». Le sergent Téo se lance à leur poursuite dans les denses forêts du Brésil. Mais sont-ils seulement à l’origine de ce massacre ?

Rio de Janeiro, in the period in which the Police Pacification Units (PPUs) were beginning to be deployed in the city. Edna (Lilia Cabral) is the mother of Julio (Pedro Nercessian) and Silvio (Fiuk). One day she wakes up desperate to see that Julio just disappeared!

The doorbell at the bridal shop rings.

Metro station. The tracks creak before we hear the sound of the train arriving. The wagons introduce themselves, one by one, as the train starts to brake. Amongst the hundreds of people it brings, there’s a boy with a backpack. Following his trajectory, we witness an initiation.

After receiving a job promotion that forces her to spend time traveling, Angela decides to leave her three children under the care of Uncle Tony - which will lead to many confusions.

The old servant and chronicler Dom Sabas tells how his desolate South American town is the scene of a ruthless power struggle. The landowning Assis family, reduced to a widow and son, tries to hold out against the young, despotic mayor. No less effective then actions are anonymous rumors and accusations, which often stir the inhabitants' moves.

In this romantic police comedy, after a luxury hotel is robbed by four of its employees, the lives of all people involved are turned upside down. With different motivations, they will do all they can not to be discovered, bringing all sorts of conflicts into the hotel. The confusion escalates when the detective trying to solve the case falls in love with one of the robbers, unaware he is one.

In 1856, the emperor Dom Pedro II lived a marriage of appearances with Teresa Cristina, with whom he was forced to marry at a young age by his parents' political alliance, having two daughters with her: Isabel and Leopoldina. He truly loves Countess Luisa, a cultured and time-ahead woman who fights for the abolitionist cause and women's rights, married to Eugenio, the emperor's cousin. At the same time there are sisters Pilar and Dolores: the first went to a convent after her mother's death in childhood, growing up among books and dreaming of studying medicine - inspired by the story of Elizabeth Blackwell, the first doctor in the world -, while the second stayed at home to take care of her father, Colonel Eudoro, growing up repressed, illiterate and without vanity.

Griselda is a tough, hard-working handywoman who managed to raise her three children on her own. She struggles to make ends meet but after winning the lottery tensions rise as people inevitably show their true value. With plenty of romance and intrigue this incredibly rich and fun telenovela brings together the true values of friendship, love, and family.

Livia and Felipe are in a forbidden love story doomed to end tragically. A century later, they both have a new chance to make their love real again. “Time After Time” is an innovative romance set in two different eras in which characters hold the opportunity to make up for their mistakes, come to terms with the past and write themselves another story.

Heartbreak forever changed the fate of the young and humble José Alfredo. Years later, he became the Lord Alfredo, a successful owner of a jewelry empire and a man obsessed with power. Temperamental and cunning, he tries to balance his turbulent marriage, an extramarital love affair, and the dispute between his children over succession in his business. One day, however, the unexpected appearance of a possible daughter, of whom he was unaware, causes upheaval in his life and takes his familial conflicts to a whole new level.