Ángel Blanco

Le comte Dracula et son acolyte loup-garou Rufus Rex élaborent un plan machiavélique pour dominer le monde. Seul capable d'empêcher le pire d'arriver, le célèbre catcheur Santo, affublé de son ami et néanmoins rival Blue Demon, décide d'intervenir afin de déjouer les ambitions des deux monstres...

Tender and erotic love story of a respectable bourgeois housewife and a large black Alsatian dog. Shot in 1977, the film employs bestiality as a symbol of Spain's political landscape. It makes references to the massacre of Atocha and to political right wing groups that, after the death of Francisco Franco, tried to maintain the dictator’s political ideals.

Un jeune homme (Marcos), travaillant en tant que boucher, tue accidentellement un conducteur de taxi. Sa petite amie lui conseille d'aller se livrer à la police pour tout expliquer. Mais ce dernier préfère la tuer aussi. Petit à petit, il doit tuer d’autres personnes qui sont devenues trop soupçonneuses.

Lorsque Juan sort d'un centre psychiatrique où il a été longtemps hospitalisé, il décide d'emménager dans la maison de sa mère décédée, dont l'héritage est contesté.

Young Stefano falls in love with a Spanish girl, Habibi. The two become engaged, but after a happy period, Stefano will discover the girl's betrayals. This will lead the protagonists to drift apart and seek new paths; this will be an opportunity for them to reflect on themselves and the loss of values in life.

"El Florido Pensil" is a humorous reflection of the education of several generations of Spaniards from the 1940s to the 1960s. Based on the book of the same name by Andrés Sopeña, it evokes, from the present, his memories of that time: everyday school, local radio, Roberto Alcázar's comics, Thursday cinema with Franco opening swamps and "Yon Güein" chasing and killing Indians. Through the childish eyes of a child Sopeña (Daniel Rubio) and his schoolmates, we discover a way of understanding the world, society and a Spain "of glories and flowery pensil", as the national anthem of those years used to sing.

The life of Juan de Dios and his struggle against social, political and religious structures.

Unbenownst to a middle-aged teacher of handicapped children, his long-term suffering girlfriend is pregnant with his child. The film philosophically explores the ideas of free will and destiny as they relate to the characters and their life choices.

Recounts the experiences of a middle-class family, the Alcántaras, during the last years of the rule of Francisco Franco and the beginning of the Spanish Transition to democracy.