James Brown

Exploring the 'Madchester' music phenomena of the late '80s and early '90s. The band Northside appears in interview, rehearsal, live in concert and even at work; Central Station Design in their studio creating something out of a pane of glass and loads of ephemera; Happy Mondays in Amsterdam; 808 State; and MC Tunes. Aired as part of Granada Television's Celebration arts strand.

Between 1988 and 1992, British Electronic duo The KLF had scored #1 records throughout the world and had become household names. Determined to ridicule the establishment, they battled The Beatles and ABBA after sampling their music in hit records, and published the best-selling book The Manual (How to Have a Number One the Easy Way). In 1993, to mock performance art in the ultimate fashion, The KLF set fire to £1,000,000 in cash and destroyed their entire catalogue, vanishing from the public view... until now.

In the mid-1990s, spurred on by both the sudden world-domination of bands such as Oasis and Prime Minister Tony Blair's "Cool Brittania" campaign, British culture experienced a brief and powerful boost that made it appear as if Anglophilia was everywhere--at least if you believed the press. Pop music was the beating heart of this idea, and suddenly, "Britpop" was a movement. Oasis, their would-be rivals Blur, Pulp, The Verve, and many more bands rode this wave to international chart success. But was Britpop a real phenomenon, or just a marketing ploy? This smart and often hilarious documentary probes the question with copious interviews from Noel and Liam Gallagher of Oasis, Pulp's Jarvis Cocker, Damon Albarn of Blur, Sleeper's Louise Wener, and many other artists and critics who suddenly found themselves at the cultural forefront.

How does a working class autodidact, with no visible means of support, maintain his role as the leader of a cult British underground band into its fifth decade? Comedian and writer Stewart Lee, director Michael Cumming and James Nicholls investigate the mysterious existence of Robert Lloyd, Britain’s ultimate post-punk survivor. Robert Lloyd’s Prefects played with The Clash on the White Riot tour in 1977, and their ongoing incarnation, as Birmingham’s Captain Beefheart suffused post-punk poets The Nightingales, recorded more John Peel sessions than any other band. Ever. But what were the social, cultural and economic circumstances that enabled and sustained such outsider artists in the punk and post-punk eras, and how has the world changed to the point where such figures are unlikely to flourish in the same way today? Lloyd’s own odyssey echoes how abstract notions of social mobility, of the value of culture and music, have changed in the last five decades.

Documentary that outlines the 1990s and the decade the changed the world.

Documentary series looking at the maverick players from four sporting areas: Boxing, Snooker, Darts and Motorsport.