Gillian Smyth

Join the original Tea Pot Pixies for a stroll through the ethereal mindbendy airwaves of Radio Gnome - Beamed straight to the heart of you from the planet invisible... Yes you can't kill me... because I've been stoned before. Recorded 1990 in Nottingham for Central TV.

A collection featuring rare Daevid Allen and Gong performances and short films. Moody, atmospheric live film of Gong onstage in a cathedral in Montserrat in 1973 with the classic line-up.

Filmed at Gong's communal house at Sens in Burgundy, France, hanging out in the kitchen, lounging in the garden, and running through a couple of songs.

Failed pop star. The soul of The Auteurs and Black Box Recorder reconstructs the purgatory of his career in a hilarious testimony that craps on every aspect of the pop music business. Those on the prowl for public relations and commercial potential have come to the wrong place. Haines is a notorious party-pooper, a wet blanket at awards ceremonies, and a sourpuss-that-sulks-in-the-corner. To relate his tragic-comic saga, director Niall McCann organizes a perfidious puzzle filled with talking heads: Jarvis Cocker, Stewart Home, David Peace… (or, as Haines puts it: “people who pretend they have met me”), unforgettable quips by the disgusted composer (“To hell with the common people”, “Britpop never existed”), and a script that resembles Winterbottom gone punk: actors that aspire to walk in Haines’ shoes, frozen images, surprising turns, and historical tiffs.

Failed pop star. The soul of The Auteurs and Black Box Recorder reconstructs the purgatory of his career in a hilarious testimony that craps on every aspect of the pop music business. Those on the prowl for public relations and commercial potential have come to the wrong place. Haines is a notorious party-pooper, a wet blanket at awards ceremonies, and a sourpuss-that-sulks-in-the-corner. To relate his tragic-comic saga, director Niall McCann organizes a perfidious puzzle filled with talking heads: Jarvis Cocker, Stewart Home, David Peace… (or, as Haines puts it: “people who pretend they have met me”), unforgettable quips by the disgusted composer (“To hell with the common people”, “Britpop never existed”), and a script that resembles Winterbottom gone punk: actors that aspire to walk in Haines’ shoes, frozen images, surprising turns, and historical tiffs.