Joey Curtis-Green

Even though Sami is safe in the United States with his 9-year-old daughter, Aya, the injures sustained during the war in Syria are making his life difficult. When news breaks that the rest of his family will arrive from a refugee camp, he should be as elated as Aya. But as Aya grows more eager to see her brother Saeed, Sami grows more anxious.

Francisca, une jeune femme solitaire consumée par ses désirs les plus sombres après qu'une tragédie a frappé son existence tranquille dans un coin isolé de campagne. Traumatisée durant son enfance, elle va, en grandissant, tenter de se reconnecter à la vie mais cette quête va prendre des formes inattendues.

An elderly woman enters a Manhattan subway station only to find herself sitting on a bench beside an elderly man of roughly the same age. As they sit and wait for their train in silence, two complete strangers on a bench, what the audience soon learns that they themselves don't know, is that they once shared the happiest day of their lives, playing together as children. Yet it's now too far back for them to remember anymore, too far back for them to recognize each other anymore. The story then shifts back and forth between the breathtaking landscape of their unconscious', as Isabel Lucas and Oliver Ackland play more youthful representations of how they see themselves inside, and search for the memory they once shared.

Les inspecteurs qui font partie de la division des Crimes sexuels (SVU) du service de police de la ville de New York (NYPD) enquêtent sur des crimes de nature sexuelle. Alors que les autres émissions de la franchise de "La loi et l'ordre" se sont largement concentrées sur les cas de meurtres, les inspecteurs de la division des Crimes sexuels (SVU) ont souvent affaire à des crimes, tel le viol, auquel la victime survit et elle aide les autorités lors de l'enquête.