Bruno Fernandes

Dans la ville de Porto Alegre, au sud du Brésil, un jeune homme socialement réprimé ne sort de sa coquille que lors des performances de chatroom, quand il enlève et peint des peintures au néon sur son corps souple.

Senhorinha is a black woman who lives in a German colony in southern Brazil in 1945. In the midst of the dictatorship of the Estado Novo, she struggles to survive among the oppressive forces and immigrants being watched and persecuted.

Sandro travaille au département ressources humaines d’une compagnie minière. A la fin de la journée il retrouve son collègue Ricardo dans la forêt avoisinante où ils ont des relations sexuelles. Régulièrement il se rend à la piscine où il fantasme sur le beau Maicon qui ne le remarque pas. Lorsque celui-ci commence à travailler dans la même compagnie, le désir de Sandro se transforme en obsession, et cela empire lorsqu’il apprend que Ricardo et Maicon ont une aventure.

A poetic and oneiric film that unites fantasy to approach the trajectory of Antonio, a young man in a continuous process of transformation and inner re-elaboration. Inspired by the life story of Buddha.

Desire and guilt traverse the journey of Pássaro, the only son of the Tamai family, and Ângelo, the youngest son of the Miranda family and Marciano's brother. Living in a small town, Pássaro and Marciano were best friends as children, despite the constant tension that surrounded their neighbors. However, fights between their parents drove them apart and their friendship faded. Years later, Pássaro and Ângelo meet again at a party and become attracted to each other, experiencing a passion that defies prejudice and stigma. The relationship, however, provokes Marciano's anger and hostility and rekindles resentments of the enmity between the families.