Imogen Heath

The adventure of Melissa and Gustavo starts aboard a red cargo ship crossing the Atlantic Ocean. It takes them from Brazil to Berlin, a city of perpetual movement, where the old constantly has to give space to the new. The couple finds a home and transforms it into the center of their own universe. As time passes and seasons change, life and cinema become interchangeable and their apartment evolves into an ever-changing stage, where friends are invited to play their own roles and reality and fiction merge. Until one day a cosmic portal appears in their home, opening connections between the past, the present and the future.

Liz walks between different rooms of the city. A bar, a toilet, a wasteland, a garden, a trailer. The cruising body can't, unlike the flaneur, be alone. She won't leave the world outside of her. Several eyes follow her: the women holding the cameras, the director. The director is sending her a love letter. The director needs her cruising body. They are a part of each others fantasies and share a dream about a city's possibility of providing safe sexy spaces. They travel together to look for the rooms in between, to find rooms of their desires.

One momentous night in Berlin, three women working in a coat room struggle for reproductive choices better than just the neoliberal freedom to have them. Nichts ist erledigt/Not Yet Over, a multi-genre fiction film, incites us to look at feminism’s™ unfinished business from the bottom up.

One momentous night in Berlin, three women working in a coat room struggle for reproductive choices better than just the neoliberal freedom to have them. Nichts ist erledigt/Not Yet Over, a multi-genre fiction film, incites us to look at feminism’s™ unfinished business from the bottom up.