平賀雅臣

In a Post-War Tokyo, when the bureaucratic chief of department of the City Hall Kanji Watanabe finds that he has a terminal cancer, he decides to intensively live his last months of life. While dying, he finds the meaning of life, and fights for the construction of a playground in a poor zone of the city and the legacy of his existence.

Computer engineer Takashi notices that a microchip is protruding fro his head. He contacts a notorious hacker for help. Meanwhile, Takashi's world is turning upside down. He's robbed at knifepoint & then chased through the crowded Tokyo streets by a giant. Or maybe not. Perhaps the microchip is only making him think these things are happening. Soon he realizes there's a connection between all the bizarre traumas and a girl named Masami. Seemingly, all his troubles started when she visited his repair shop and asked him to fix her cd rom-unit. Eventually Takashi finds himself psychically linked to the girl. As it turns out, they are secret government-made humanoids, programmed to live undetected within society an then - when the need should arise - they are activated as professional fighters; The action of the movie itself plays like the Defender arcade game.

Stories depicting ordinary people revolving around ceremonial occasions. Without knowing that the funeral is for a yakuza member, an undertaker holds the funeral service. Relatives bicker over the deceased's last will. A son insists on wearing a long jacket normally worn by bousouzoku biker gang to a coming of age ceremony. His parents try to stop him. A husband heads over to his pregnant wife. She got pregnant before they got married and his father-in-law is angry at him. A freeter man challenges a professional baseball player over a woman.

Des jeunes obtiennent un "Journal du futur". Ce journal est un journal de téléphone portable qui prédit l'avenir, et ceux qui s'en emparent en subissent les conséquences du fait de devoir participer à un "jeu de survie". Avant de découvrir le journal, Hoshino Arata était un étudiant ordinaire, sans foi en l'avenir. Les efforts semblaient ingrats et l'avenir, eh bien, qui pourrait changer le destin ? Néanmoins, c'est le journal intime qui conduit Arata à voir demain comme un signe d'espoir. "Destruction et renaissance", "L'Amour Ultime". Ces thèmes s'entremêlent au fur et à mesure qu'Arata apprend à gérer le journal et ses conséquences, pour finalement gagner le jeu de survie qui lui est proposé.

Après s’être fait jeter de l’appartement de sa petite amie, Hiromi décide d’aller voir la mer. En route, il croise Kaito, un employé plein d’avenir mais qui, après avoir perdu un client important, a décidé de prendre des vacances. Le destin fait qu’ils vont travailler dans la même auberge au bord de la plage.

7 détectives, chacun avec son propre style, travaillent dans une agence de détectives. Tokita Shuntaro est un détective débutant qui a tendance à en faire trop par sympathie ou par émotion excessive envers ses clients ou ses objets de recherche. Contrairement à Shuntaro, Nitta Teru est un détective plus posé. Souvent, il est en conflit avec lui.

A story about a young man named Masaya, whose lifelong dream is to go build a life in Tokyo. Masaya thinks his life in his hometown is uncool. A few years later, he manages to move to Tokyo but not without any consequences. In Tokyo, he learns the hard way about the meaning of life, survival, love, insecurities, desperation and hope. He also learns the struggles of living in a big city and trying to fix his relationship with his parents, especially his mom.