Angelika Levi

1

Ariel

Apr 22, 1985

Ariel

1985 13 min 1 vues

After the short story of Franz Kafka “Unhappiness”. A young woman is visited by a ghost while vacuuming. Suddenly, her apartment is located in the cellar. They argue and the ghost leaves. 2 parallels meet in the infinite, says the one: “Go out of my way, you seem to have strayed.” Says the other: “For thousands of years I’ve been looking for a formula to find you, please do not send me away again.” The first one is already slightly pissed: “The destiny of a parallel is to be eternally alone, on the way to infinity.” “No, no,” the second one desperately screams: “One parallel is nothing, alone you are only an undefined line.“ a.levi '83

1

To Show or Not to Show

May 01, 2023

To Show or Not to Show

2023 103 min 1 vues

Filmmakers talk about their experiences - about success, failure and social participation. Who is seen, and who can show themselves?

Documentary

1

Mein Leben Teil 2

Feb 12, 2003

Mein Leben Teil 2

2003 90 min 1 vues

By means of objects, photos, tapes and films, director Angelika Levi, half-German, half-Jewish, examines the story of her family. The film deals with trauma and the way history is produced, filed away, turned into discourse and ordered on macro and micro levels.

Documentary

1

Navy Cut

Feb 18, 1993

Navy Cut

1993 80 min 1 vues

Film by Wolfgang Schmidt.

5.8

Le Bonheur de ma sœur

Oct 13, 1995

Le Bonheur de ma sœur

1995 84 min 14 vues

Christian aime deux femmes, Isabel et sa demi-sœur Ariane. Ses tentatives de construire une vie avec Isabel, et d’arrêter le ménage à trois, sont mises à mal par Ariane, désespérée : pour elle ne comptent que Christian et l’amour qu’elle a pour lui.

Drama

1

Ariel

Apr 22, 1985

Ariel

1985 13 min 1 vues

After the short story of Franz Kafka “Unhappiness”. A young woman is visited by a ghost while vacuuming. Suddenly, her apartment is located in the cellar. They argue and the ghost leaves. 2 parallels meet in the infinite, says the one: “Go out of my way, you seem to have strayed.” Says the other: “For thousands of years I’ve been looking for a formula to find you, please do not send me away again.” The first one is already slightly pissed: “The destiny of a parallel is to be eternally alone, on the way to infinity.” “No, no,” the second one desperately screams: “One parallel is nothing, alone you are only an undefined line.“ a.levi '83

1

Sex Party

Jan 01, 1987

Sex Party

1987 10 min 1 vues

An german experimental film about the party culture of Berlin in the 1980s

1

Mein Leben Teil 2

Feb 12, 2003

Mein Leben Teil 2

2003 90 min 1 vues

By means of objects, photos, tapes and films, director Angelika Levi, half-German, half-Jewish, examines the story of her family. The film deals with trauma and the way history is produced, filed away, turned into discourse and ordered on macro and micro levels.

Documentary

1

Mein Leben Teil 2

Feb 12, 2003

Mein Leben Teil 2

2003 90 min 1 vues

By means of objects, photos, tapes and films, director Angelika Levi, half-German, half-Jewish, examines the story of her family. The film deals with trauma and the way history is produced, filed away, turned into discourse and ordered on macro and micro levels.

Documentary

1

Mein Leben Teil 2

Feb 12, 2003

Mein Leben Teil 2

2003 90 min 1 vues

By means of objects, photos, tapes and films, director Angelika Levi, half-German, half-Jewish, examines the story of her family. The film deals with trauma and the way history is produced, filed away, turned into discourse and ordered on macro and micro levels.

Documentary

1

Mein Leben Teil 2

Feb 12, 2003

Mein Leben Teil 2

2003 90 min 1 vues

By means of objects, photos, tapes and films, director Angelika Levi, half-German, half-Jewish, examines the story of her family. The film deals with trauma and the way history is produced, filed away, turned into discourse and ordered on macro and micro levels.

Documentary

1

Mein Leben Teil 2

Feb 12, 2003

Mein Leben Teil 2

2003 90 min 1 vues

By means of objects, photos, tapes and films, director Angelika Levi, half-German, half-Jewish, examines the story of her family. The film deals with trauma and the way history is produced, filed away, turned into discourse and ordered on macro and micro levels.

Documentary

5.2

Ich bin den Sommer über in Berlin geblieben

Feb 14, 1994

Ich bin den Sommer über in Berlin geblieben

1994 47 min 6 vues

Nadine is obsessed by a memory linked to a haunting tune she can no longer sing, until she hears someone else singing and everything falls back into place again. A melancholic observation of two young couples having difficulties trusting one another. They are full of skepticism and searching for a purpose in life.

Drama

1

Miete essen Seele auf

Jan 01, 2016

Miete essen Seele auf

2016 54 min 1 vues

Documentation on a protest campaign against urban displacement, organized by neighbors from Kreuzberg, Berlin.

Documentary

1

Miete essen Seele auf

Jan 01, 2016

Miete essen Seele auf

2016 54 min 1 vues

Documentation on a protest campaign against urban displacement, organized by neighbors from Kreuzberg, Berlin.

Documentary

1

Crossings

Jun 10, 2017

Crossings

2017 109 min 1 vues

Crossings is a four-channel video and sixteen-channel sound installation shot in metallurgy plants in Lavrion and Skouries, Greece, as well as in refugee camps in Lesbos and Piraeus. It is a documentary work that engages with the social dimensions and historical continuities of the region’s economic and civil wars.

Documentary

1

Die Frau mit der Kamera

Jul 08, 2015

Die Frau mit der Kamera

2015 92 min 1 vues

A portrait of photographer Abisag Tüllmann (1935-1996). Abisag Tüllmann’s photographs have become deeply engraved into our cultural memory. Using more than 500 black-and-white photos, all of which taken by Abisag Tüllmann, this cinematic tribute places her life and work in the context of the 1960s to the 1990s. Claudia von Alemann tries to get close to her friend via pictures and archival documents, excerpts from films by Carola Benninghoven, Helke Sander, Alexander Kluge, Günther Hörmann, and Ulrich Schamoni, via the music of composer José Luis de Delás, and via letters and memories, such as those of photographer Barbara Klemm, who still vividly remembers her former Frankfurt colleague.

Documentary

1

Anak-Anak Srikandi

Feb 11, 2012

Anak-Anak Srikandi

2012 73 min 1 vues

The mythical figure of Srikandi, a female figure from the Indian Mahabharata epic that changes gender to live and fight as an equal among men, is the inspiration and role model for this anthology of stories on the state of alternate sexualities in Indonesia, the country with the largest Muslim population in the world. The result is eight highly personal and profound perspectives on lesbian, bisexual and trans-identity life in Islamic Indonesia.

Documentary

1

Le goût de l'espoir

Apr 06, 2019

Le goût de l'espoir

2019 70 min 1 vues

The mythical figure of Srikandi, a female figure from the Indian Mahabharata epic that changes gender to live and fight as an equal among men, is the inspiration and role model for this anthology of stories on the state of alternate sexualities in Indonesia, the country with the largest Muslim population in the world. The result is eight highly personal and profound perspectives on lesbian, bisexual and trans-identity life in Islamic Indonesia.

Documentary

1

Absent Present

Jan 01, 2010

Absent Present

2010 85 min 1 vues

Benji was brought from Namibia to the GDR in 1979 as a young child and sent back in 1990 after German reunification. Levi got to know him there in 1991. Two years later, he hitchhiked back to Europe disguised as a tourist. But "in this film there is no main character. Benji, who should have been it, has disappeared," it is stated at the beginning of the movie. On her search for traces, Levi associatively links the story of the refugee with the stories of flight of those she meets underway. The journey leads from Germany to Namibia, to the Spanish mainland and the Canary Islands, all the way to Senegal. Without wanting to draw a geographical or political map, an essayistic documentary on the various forms of traveling emerges: vacation and migration, voluntary and forced return.

Drama

1

Ahorita Frames

Mar 01, 2021

Ahorita Frames

2021 22 min 1 vues

From September 2001 to April 2002 Nan and Nancy along with other Latin American women worked for the asbestos company “Branch,” cleaning the luxury apartments, offices, and banks of Manhattan in the hermetically sealed zone of “Ground Zero.” The women had neither residence permits nor work permits in the USA, and their dust masks had no filter for asbestos. At the PedWest border crossing in Tijuana refugees perform their stories. They play asbestos workers, American soldiers, Red Cross staff, and firefighters. Migrants from Guatemala and Venezuela and Mexicans who were deported from the USA to Tijuana: they are all stuck at the border due to the “Remain in Mexico” policy. Ahorita Frames moves the stories of the asbestos workers from New York in 2001 across the border to Tijuana in 2019, thus reconfiguring the political cartography of power relations.