Kiyoshi Usuda

A gay version of the "Widow's Boarding House" series, starring Shinji Kubo as the owner of the boarding house. A straight college student who also has a girlfriend then moves in...

Soko, a photographer who has made a name for herself taking shocking erotic art, becomes involved with an exhibitionist couple who get off on staging public molestation.

A pseudo-documentary that follows a director and an actress.

A rather talented detective receives a strange request from a painter he knows. It was a request to meet a certain boy. The boy seems to belong to a certain organization shrouded in mystery. He begins an investigation to find out the true identity of Blue Boy Hajime, but it is quite difficult. On the contrary, the more he learns, the more something begins to change inside him...

The extreme play of the wild woman "Kalbi," who seeks sex just by instinct like an animal. The climax of lust that unfolds not only on the bed, but also on the street without worrying about other people's eyes, is truly the most powerful of the series.

The mother does half-nude aerobics until her son rapes her, and the daughter falls into bed with a female teacher. Despite the shocking goings-on, the film is much more in keeping with Sato's usual themes of alienation and corrupted innocence than its brutal predecessor.

An orphaned arsonist is interrogated by a detective, revealing his story of sexual abuse and trauma.

"Groper Train" pink film distributed by Shintoho.

Skinless Night (which borrows its title from a best-selling brand of condoms) centers on the 33-year-old Kayama Mutsuro, who supports his wife, child and a small team of employees by making porn videos. Profit margins are very low, the financier has his own troublesome ideas about the kind of tape he wants produced, the company office isn't an ideal environment for child-minding, and the job constantly throws up new challenges - like shopping for bondage gear or devising the special visual effects for a 'golden shower' scene. On top of everything else, Kayama is heading for a mid-life crisis. The rediscovery of his unfinished student film crystallizes his general sense of dissatisfaction, and leads him to rethink his life and work, to the chagrin of many of his friends, colleagues, and family members. Mochizuki's quasi-autobiographical début feature observes both the workings of the porn sub-culture and the spiritual problems of its central character.