Kelsey Lu

It’s quintessentially late afternoon Californian sun. The eponymous house gently hosts a number of clipped social encounters. Each of these denotes dynamics of power in race, gender and class. While it’s the macaw that seems ostensibly and literally caged, Bravo’s drama of manners suggests that every single one of us may not be quite as uncaged as we assume.

A series of short films following the interconnected lives on Crosby street, New York City.

It’s quintessentially late afternoon Californian sun. The eponymous house gently hosts a number of clipped social encounters. Each of these denotes dynamics of power in race, gender and class. While it’s the macaw that seems ostensibly and literally caged, Bravo’s drama of manners suggests that every single one of us may not be quite as uncaged as we assume.

It’s quintessentially late afternoon Californian sun. The eponymous house gently hosts a number of clipped social encounters. Each of these denotes dynamics of power in race, gender and class. While it’s the macaw that seems ostensibly and literally caged, Bravo’s drama of manners suggests that every single one of us may not be quite as uncaged as we assume.

A collectively made filmic opera in 35 parts. The Black and predominantly queer art collective, an evolving line up of poets and artists from across the world, abstracts and reimagines opera in any traditional conception. Set to hip-hop, blues, noise, R&B and electronica, the piece uses the voice (chanting, singing, screaming; written by poet and activist Dawn Lundy Martin) as its primary tool, verbalising centuries of alienation, vulnerability and protest in the global African diaspora through its disruptive libretto.

A collectively made filmic opera in 35 parts. The Black and predominantly queer art collective, an evolving line up of poets and artists from across the world, abstracts and reimagines opera in any traditional conception. Set to hip-hop, blues, noise, R&B and electronica, the piece uses the voice (chanting, singing, screaming; written by poet and activist Dawn Lundy Martin) as its primary tool, verbalising centuries of alienation, vulnerability and protest in the global African diaspora through its disruptive libretto.

Huit ans après la fermeture du blog de Gossip Girl, un nouveau noyau de lycéens huppés de l'Upper East Side new-yorkais se retrouve pris pour cible par l'oeil omniscient de la blogueuse anonyme, bien décidée à révéler tous leurs secrets.