Γιάννης Τότσικας

« Un ciel épicé » est l’histoire de Fanis, un jeune garçon grec ayant grandi à Istanbul et dont le grand-père a développé sa propre pratique de la philosophie culinaire, vénérée et appliquée par les Turcs même. Il lui a aussi appris que la nourriture et la vie ont besoin tous deux pour leur donner du goût d’un peu d’épice. Fanis deviens un excellent cuisinier et utilise son savoir-faire pour pimenter la vie de ceux qui l’entourent. Exilé depuis 35 ans à Athènes, Fanis doit retourner à Istanbul. Redécouvrant les racines de son héritage, il se remémore comment cuisiner les épices grâce aux leçons que donnait son grand-père chez le marchand de saveurs du quartier. Fani est inévitablement catapulté dans un voyage inattendu à Istanbul, un voyage dans le temps et dans l'espace.

When a mysterious letter tips Lois over the edge, she is driven to wild lengths to address some unfinished business.

Amid blinding prejudice, a vivacious blonde teacher gets married to an honest man, only to see him leave for the Greco-Italian Front, a few hours after their wedding ceremony. Will she cope with her loss, when there's no one to turn to?

Still reluctant to call it quits on her dying marriage, a conventional Athenian housewife gets caught up in a whirlwind romance with a successful man. Will this deliciously dangerous affair lead to true love or sharp disappointment?

Un magistrat reconstitue le meurtre de Costas Ghoussis, un ouvrier tué par sa femme et son amant.

The film is the story of a group of soldiers, who, in the course of their compulsory military service in 1967 and 1968, before and during the military dictatorship in Greece, are assigned to the then recently founded Armed Forces Television. This TV station, founded for the civilian population, was run by the Cinematographic Unit of the army which until then had only produced propaganda films and newsreels and was responsible for entertaining the troops and other charity organizations with movie screenings. The personnel was composed mostly of soldiers, who already had experience in the film business in their civilian lives, as well as those who received their training in the army. The story may be only 95% true, but that is simply because the true story is even more absurd...

A journalist (Alekos Alexandrakis), working together with a young director (Peris Michailidis), tries to gather information about a family that was separated due to political turmoil. They locate some of its members, who tell their dramatic stories that began with the Civil War. The two men’s search is interrupted when a key person refuses to speak

En Grèce, sous la dictature des colonels, le jeune Ilyas, fourreur de son métier, ne trouve pas d'emploi à cause d'une filiation communiste. Il se réfugie en France où il est accueilli par un cousin quadragénaire, Gerassimos, établi comme fourreur à Paris. Ilyas détient un secret concernant son cousin : l'argent que ce dernier envoie régulièrement en Grèce via un intermédiaire à l'intention de ses parents est une escroquerie, car ceux-ci sont décédés depuis longtemps. En outre, l'hébergement et le travail procurés par son cousin ne lui suffisant pas, Ilyas use d'un stratagème pour obtenir toujours plus de confort : il lui fait croire que la jolie fille sur la photo qu'il cache dans son portefeuille est sa sœur alors que c'est une vedette de la chanson.

In Cyprus, an EOKA fighter (against the British Administration), Kyriakoulis, is imprisoned by the British. His comrades kidnap the son of a friend of the British Administrator in retaliation. Plans to help Kyriakoulis escape fails and the British hang him. Kyriakoulis mother intervenes magnanimously and the fighters free their prisoner.

A childless Romani woman abducts the daughter of the prosecutor who imprisoned her. As she trains the child to do her evil bidding, the girl becomes a woman and soon finds herself accused of murder. Can a trainee solicitor clear her name?

The unforgettable children's series of ERT by Alki Zei. The adaptation of the classic novel by Alki Zei, about two sisters, Melia and Myrto, and an embalmed wildcat, or kaplan as they called it, at the time of the Metaxas dictatorship. In Samos of 1936, the girls, along with a grandfather who is constantly telling stories and a cousin, a student from Athens, will play the “game of the kaplan”, the stuffed wildcat locked inside a showcase in the house’s parlour.