Emanuel Miño

After Michael Jackson died, a comedian have to decide what to do with his performance.

Teen Western in the middle of the Buenos Aires conurbano: girl bands, a role and a meeting schedule.

A couple of thirty-somethings struggling with life, marriage, work, a kid and a new bought house outside the city.

A couple of thirty-somethings struggling with life, marriage, work, a kid and a new bought house outside the city.

A couple of thirty-somethings struggling with life, marriage, work, a kid and a new bought house outside the city.

Oscar discovers that a Norwegian band has made a remix of a song by an artist that “belonged to their production company” 30 years ago. He has promised his girlfriend Natalia a trip to Miami. But the little information he obtains places the whereabouts of the former singer somewhere in the mountains of Córdoba. He invents a story to deceive Natalia, and they head towards those inhospitable places in their old convertible.

This Argentinian dramedy gives us elements of Woody Allen’s nervous comedy and Cassavetes’ melodramatic roller coaster in a storm of egos that takes place on one decisive weekend in the lives of Juana, a popular actress about to star in an important theater production, and her husband Roman, a director suffering from writer’s block. The couple’s daughter, Lila, serves as a mirror reflecting her parents’ frustrations and joys. The long takes, atmospheric music, and stellar performances, give a poignant, sometimes hilarious portrayal of a family as they attempt to negotiate their egos with their marriage and artistic lives.

Are we what others see, or are we what we allow others to see? Most likely it is the view of others which delimits our own identity, as a young divorced mother named Julieta convinces herself. This evening is like any other: her two young sons are roughhousing in their cramped apartment. They whoop and shout while their mother makes desperately futile attempts at the computer to concentrate on writing a report for work. Feeling intense pressure, Julieta tries to quiet the conflict but finds it difficult without a partner to help. The tense situation changes unexpectedly when her two-year-old falls and hurts himself. In this story of a mother suspected of hurting her own child, the movie investigates themes of motherhood, guilt, duty, the role of men and women, fathers and mothers