Baxter Westby

L’audace insensée de Kick‐Ass a inspiré une pléthore de vengeurs masqués autodidactes, le Colonel Stars & Stripes en tête, auxquels notre héros va s’allier pour patrouiller les rues de la ville et assurer la sécurité générale. Mais quand Red Mist, réincarné en Motherfucker, décide de s’attaquer à ces super‐héros amateurs, seuls les sabres acérés de Hit Girl sauront les sauver de la destruction.

Aspiring screenwriter, Cass, sits ruminating on her ended relationship with Ezra. Memories overcome her - she guides us through the highs and lows, her internal monologue serving as an apology and a testimony for why things ended the way they did. She confesses to having lost interest once things became too dull and stopped inspiring her writing. The desire for true, raw feeling culminates as she states she wants to get beaten up. Someplace else, Ezra is leaving a voicemail to Cass. As his emotions let loose, he reveals a darker side to Cass’s hunger for inspiration. Unsure of whether anything in their relationship was real, he wishes that him and Cass never met, and urges her to write about her life and back off his. With neither character's monologue reaching their addressee, nothing is resolved, instead painting a complex portrait of the incompatibility of Cass’s tendency to write about what’s happening around her, and Ezra’s unwillingness to simply be a character in her scripts.

The Almeida Theatre makes its live screening debut with an explosive new adaptation of Richard III, directed by Almeida Artistic Director Rupert Goold with Ralph Fiennes as Shakespeare’s most notorious villain and Vanessa Redgrave as Queen Margaret. War-torn England is reeling after years of bitter conflict. King Edward is ailing, and as political unrest begins to stir once more, Edward’s brother Richard – vicious in war, despised in peacetime – awaits the opportunity to seize his brother’s crown. Through the malevolent Richard, Shakespeare examines the all-consuming nature of the desire for power amid a society riddled by conflict. Olivier-winning director Rupert Goold’s (Macbeth, King Charles III) searing new production hones a microscopic focus on the mythology surrounding a monarch whose machinations are inextricably woven into the fabric of British history.

Cette série dramatique retrace les rivalités politiques, intrigues et événements qui ont marqué le règne de la reine Élisabeth II et la seconde moitié du XXe siècle.

L'inspecteur Barnaby, accompagné de son adjoint, enquêtent sur les crimes commis dans la région anglaise fictive du Midsomer...