Mark Lamos

3 juillet 1981. Le «New York Times» évoque pour la première fois un "cancer gay". La question d'une épidémie est également posée. Howard et ses amis, tous intellos ou artistes homo, acueillent l'info avec scepticisme ou l'ironie : ne s'agit-il pas là d'une nouvelle tentative de stigmatisation ? Mais lorsque l'un d'eux est atteint, l'évidence force le refus du désespoir ou de la fatalité, et la lutte s'organise...

London society matron Lady Sneerwell loves to gossip and spends her free time engaged in manipulation. When she selfishly derails the romance of Charles Surface, her scheming unexpectedly creates a ripple effect among her well-to-do acquaintances.

Nick and his wife Sam have left the chaos of the world behind for their tiny house among the sequoias—or so they think! But fireworks fly when a quirky cast of characters converge upon their tiny enclave for a Fourth of July barbecue, and we’re reminded that there is no easy escape.

The beloved American musical that brought us “The Impossible Dream” turns its lens on modern love and society, especially as brought to the Playhouse stage by director Mark Lamos in our award-winning 2018 production. In this play within a play, Cervantes has not yet finished his manuscript for Don Quixote—he sits in jail awaiting trial during the Spanish Inquisition. Fourteen actors portraying Cervantes and his fellow prisoners bring to life the great odyssey we all know of a questing knight tilting at windmills and battling for the love of the fair maiden Aldonza.

The beloved American musical that brought us “The Impossible Dream” turns its lens on modern love and society, especially as brought to the Playhouse stage by director Mark Lamos in our award-winning 2018 production. In this play within a play, Cervantes has not yet finished his manuscript for Don Quixote—he sits in jail awaiting trial during the Spanish Inquisition. Fourteen actors portraying Cervantes and his fellow prisoners bring to life the great odyssey we all know of a questing knight tilting at windmills and battling for the love of the fair maiden Aldonza.

Two migrant ranch workers, best friends, move from place to place, seeking work and the promise of the American dream. George dreams of owning land and being his own boss. Lennie, his partner, a giant and physically strong man with cognitive disability, simply dreams of playing with rabbits. Having encountered problems at their last job, George and Lennie are forced to flee to a new farm for work until Lennie’s strength gets them into trouble.

James Levine’s love for this seldom-heard score infuses every measure of Verdi’s music. Superstar Luciano Pavarotti heads the cast as the Muslim warrior prince Oronte who converts to Christianity out of love for the Italian Giselda (Lauren Flanigan)—before dying of the wounds he received in battling the Crusaders. Samuel Ramey is the Crusader-turned-hermit Pagano. Mark Lamos’s striking production has sets by John Conklin and costumes by Dunya Ramicova.

The best in the performing arts from across America and around the world including a diverse programming portfolio of classical music, opera, popular song, musical theater, dance, drama, and performance documentaries.